I got this roll polished off fast. It’s “freezer-stored” Tri-X that expired in 2000; I thought it would be nice to shoot some of the old stuff from before Kodak restructured the film, but I can’t say I’m happy with this particular roll, it does not seem to have been stored as well as I was led to believe, and I’m trying to find ways to minimize the fogging. This was developed in D-76 stock solution for 10 minutes at 66F.
I remember back when I was just starting to take photography seriously, Richard Mosse was in the process of exhibiting his collection of images from the Congo, entitled “The Enclave.” Here are a few:
It’s hard to pick just one image. Richard Mosse was interested in bringing the attention of the world to a series of civil wars that have been happening in and around the Democratic Republic of the Congo (Zaire) since the late-1990s. Mosse shot most of the series on large format 8×10 and 16mm motion picture cameras (working with a dedicated cinematographer), using discontinued and expired Kodak Aerochrome EIR film, which was an infrared color reversal film developed for the US military for aerial reconnaissance and camouflage detection, and produces incredibly wild colors in vegetation. The Lomography movement has really embraced the aesthetic of this particular film, and it’s unfortunate that Mosse’s series didn’t come out earlier, as the increase of interest and demand might have kept Kodak from axing it.
Mosse’s images really speak to the idea of uncovering things that are hidden, from the little-publicized civil war itself, to the original purpose of Aerochrome film. While Mosse shows us ground-level images and is right up in soldiers’ faces as opposed to impersonal and removed aerial survey, the effect is the same: we get to watch the conflict from a safe and secure place.