My first two rolls through my new (2nd) Canon 7, which I bought to be able to use some nice German-made lenses for Leica cameras. These lenses are quite old even by my standards: the Leitz 5cm Summarit f/1.5 that I have is a relatively modern copy from 1953, and while it is coated (single coated), the contrast is not nearly what I’m used to with my Pentax lenses (younger by approximately 20 years). The Summarit also has a reputation for being rather soft, though shooting as much as I could at f/8, I think it’s sharp enough for what I’m doing here (not as sharp as my Takumars though). I’d still like to pick up a screw-mount collapsible Summicron for landscape pictures, but in a pinch the Summarit does nicely. I’ve wondered about getting one of the modern Voigtlander lenses (or Lomography’s new Jupiter 3+) for color work, as I wasn’t sure how the low-contrast Leitz lenses from the ’50s and earlier would handle color film, but I was also curious what an ultra-saturated film like Ektar 100 would look like, and here are some of the results.
I need to shoot in the sun more, most of the time I was out it was overcast and that didn’t help much, but also I wonder if they weren’t underexposed a bit too. I don’t have enough experience with Ektar to say if this is indeed the case, but roll #2 (the last 5 pics) show much improved color to my eyes. I might just buy a few more rolls and continue testing this film/lens combination at some point.
I processed these pictures the same way I’ve been doing black & white, which is taking PSI output at -30 contrast and adding contrast back in using Photoshop. I also have the regular PSI output, but prefer the added control. This film captures quite a lot of information, and as someone who has more experience with black & white, it’s hard to get the color I think this film should have while still retaining detail in highlights/shadows. But I’m learning.
I’ll probably be going back to black & white next for this camera and lens, but the experiments with color will continue! I plan to shoot a roll or two of Provia and Velvia through the Canon 7 this Summer, and I hope that I’ll like the results of that, as I’m more used to Fuji’s color than I am to Kodak’s. And Ferrania is coming soon as well, I hope. I will say this about Ektar though: it handles different and mixed lighting extremely well! I shot about half of my 2nd roll indoors and usually under fluorescent lights, and was quite satisfied with the colors even working straight out of PSI; very little tweaking was needed, and it was quite easy (a few examples are here). Yes it was a bit slow for that purpose, but it has me considering Portra 400 for occasional indoor work now