edit: For some reason this post is really popular. Thanks for finding me. If you want some real info on the camera from a superfan but also a working filmmaker who uses the Fujica ZC1000 on a regular basis you should be looking at Ignacio Benedeti’s Life in Super 8. He can teach you much more than I can!
Well, what’s one to do when Kodak pushes back the release date for the new super 8 camera(again), and raises the price by 166%? Go to their bitter rivals! The Fujica ZC1000 was the top of the line single-8 camera back in the late-’70s which makes it a contender for the best small format camera ever. It has many die-hard fans (especially in Spain, it seems) who consider Fuji’s cartridge design to be superior to Kodak’s in image stability.
The ZC1000 is among the most full-featured cameras available in the 8mm format, fully the equal of the Beaulieu super 8 cameras (and more robust in construction, it’s said) so comparing the specs to the new Kodak camera, it holds up quite well, only wanting crystal sync and a max8 film gate. On the plus side it has a greater range of framerates, from 12-72fps, plus single frame (and can connect to an intervalometer), and I do prefer having all controls as easily-manipulable dials and buttons, not jogwheels and menus, with an optical viewfinder. And if you do want video assist, it’s possible.
There is a downside, of course: with Fuji no longer making single-8 film, we’re left with using long-expired cartridges, cut-down 35mm reversal stocks from Retro8 in Japan, or reloading your own cartridges with Kodak super 8 film. At least we have that option, and that the Fuji cartridges were designed to be reusable! I don’t know how much trouble this is going to be, but I do admire the people who are keeping the single-8 format alive any way possible, and willing to give this a go myself.
As excited as I was about the new Kodak camera, I’ll wait until it’s close to its originally-advertised price of $750 and skip the $2000 ‘limited edition’ version coming out in a few months. And when I do have the new Kodak super 8, it should fit in nicely to my c-mount/8mm system I’m building here. The Fujinon zoom lens is very highly-regarded, up there with the best Schneider and Angenieux zooms you find on the Beaulieus. I’m sure the Fujinon will look great attached to the new Kodak camera…sacrilege perhaps, so I might as well go all the way and shoot some Fuji Provia super 8 film.
As well, I picked up the 10mm Kern Switar built for the Bolex cameras, and I hope to add a few more to that collection as well. That Switar, incidentally, like the favorable opinions of the ZC1000 itself, came from Spain, from a filmmaker with whom I’ve become friends (This short film was shot with my lens on a ZC1000). I found a British seller on eBay selling the single-8 cartridges and bought the entire stock. The camera itself was, strangely enough, in Northeastern Colorado! It was a 3-hour drive there, I tested out the camera for half an hour, then drove all the way back. Even factoring in the gas money I’m quite happy with what I paid, and now have a great 8mm setup to make the leap from still photography to motion pictures. It’s my goal to shoot my next film with this camera, and hopefully many after it as well.
The story continues with the ZC1000: more pics here.