Why I love Tri-X

It’s Thanksgiving, so what am I most thankful for?  Tri-X, of course.

I suppose it’s all about the mood.  There’s a lot of darkness in these photos, perhaps because I tend to use Tri-X where there isn’t a whole lot of light, and it always gets the image.  You can push it, pull it, overexpose or underexpose it and still get results.  It’s the most versatile film I know of, the best damn black and white film ever made.

You will notice that most of what I have here are people.  I suppose that with larger formats it would work great for landscape photography (which I don’t do a whole lot of in black and white), and I was experimenting a bit with caffenol back in the day, pulling film a stop and using a semi-stand development to reduce grain.  Fuji Acros 100 seems to be the king of black & white landscape photography these days, but I’ve always said it’s Kodak for black & white and Fuji for color (and I’ve always said that I’ve always said).  One of these days I’ll mix it up.

I’m not the only person in the world to love Tri-X, it does happen to be the best-selling black and white film in the world.  Because of its latitude and forgiving latitude in not only exposure but also development, it’s used in a lot of photography programs (including mine).  It was used by newspaper photographers from the 1950s to the 1980s, used by combat photographers in Vietnam, and countless street photographers to this day.  Think of a famous black and white photo and chances are it was shot on Tri-X.  Classic Americana.

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