Selected portraits from the 2022 pre-season meeting

About as current as it gets here at The Resurrected Camera, these date to the middle of May 2022, barely a month ago.  My job hired me to capture portraits of the new drivers at the annual pre-season meeting, to be used on the website; these photos amount to the first professional work I’ve seen out in the wild in quite some time, perhaps ever.  The meeting was held at the Cheyenne Mountain Resort and I used Cheyenne Mountain as a backdrop, shooting out on the patio in the shade of a building as the sun was setting.  I got a few of the not-so-new drivers as well: all in all I made portraits of 15 drivers and include my favorites below:

Besides the cowboys (and cowgirl) themselves, the star of the show was the AI’d Nikkor-PC 105mm f/2.5 portrait lens which was used for all but one of the exposures above.  There’s been so much written over the last 70+ years about the 105mm Nikkor so I don’t know what I can add except to say that I picked it up because it was cheap, I wanted to have at least one portrait lens, and it had a good reputation.  I’ve used it for a few portrait sessions so far and have been extremely happy with the results, as well as that from my AI Nikkor 85mm f/2 lens (which also makes an appearance here).  I would call either of these lenses a must-have for a Nikon manual-focus system, whichever you happen to run across first.  If you can, get both.

I suppose this means that I can call myself a professional photographer, right?  I’m hoping that this can be springboard me to bigger and better things but we’ll see.

Testing out the Mamiya Macro Sekor 60mm f/2.8

Was this made by Tomioka?  I seem to remember reading that somewhere.  I have the 50mm f/4 S-M-C Macro-Takumar which has a 1:2 resolving power (and also the MCM Chinon Macro 55mm f/1.7), this one has a 1:1, so it is a true macro lens.  It’s also a preset lens, which is a bit annoying. I had these rolls developed and scanned at $15 a roll by Mike’s Camera, and can’t say I’m happy with the amount of evident dust on their scanner.  I’ll certainly rescan on my Pakon once it’s out of storage.

I shot two rolls with this last summer, some Fujicolor 200 and Gold 200, both exposed at ASA100 and that meant keeping the aperture pretty wide occasionally.  Wherever possible I was shooting in direct sunlight, but I didn’t use a flash or anything else like that.  When I got the lens it seems that every flower around me was a yellow flower, so there’s maybe not as much color variation as I could want, but I enjoyed seeing the bees going about their work.

So I don’t know too much about macro photography, but basically I would preset the focus (usually to maximum, move the lens until the bug was in focus, stop the lens down, and take the picture ASAP.  The bees were tricky, they were always going from one flower to another so I’d only have them for a few seconds sometime.  I’ve heard that it’s better to have a 100mm lens (or longer) and a flash, to keep the depth of field as wide as possible under the circumstances.  These shots were the ones that were most in focus, but since some were not in direct sunlight I had to open up the aperture here and there.  I suppose that using something like Portra 400 would have been better, or perhaps a tripod.

The question I’ve been asking myself for a while is, did I really need another macro lens?  Probably not, though this one is a true macro and faster than the Takumar.  But the last time I used that lens I was taking pictures of my super 8 cameras and I just set the camera on a tripod so the extra stop wasn’t needed.  It was an extremely good price and I could make at least four times what I paid by selling it online, so a good investment.  But am I going to start taking pictures of bugs all the time because I own this lens now?  No, in fact I haven’t even used it in a year.

As an aside, all color scans over the last few posts brought to you by Mike’s Camera Colorado Springs with their Frontier scanner.  It’ll give you good scans, but you do have to deal with workers who either don’t know or don’t care.