Overwhelming Majority is an experimental documentary dealing with issues of alienation, isolation, and social anxiety. I remember my teacher Jane sending me this article when I was making the film and being very intrigued by that aspect, something I’d never considered. OM has been screening at film festivals for the last year and a half, but in light of recent events like Las Vegas, perhaps it’s time to be seen by the rest of the world.
WINNER: Best Experimental film – 2016 Blissfest333
WINNER: Best Experimental film – 2016 UCCS Short Film Festival
NOMINATION: Best Experimental film – 2017 Wales International Film Festival
NOMINATION: Best Documentary Short – 2016 Blissfest333
2017 London International Documentary Festival
2017 Carmarthen Bay Film Festival
2017 Colorado Short Circuit
2017 Wales International Documentary Festival
2017 Durango Independent Film Festival
2016 Southern Colorado Film Festival
I can’t sleep right now, so I’ll post this early. For those of you that actually read this blog, thanks for sticking it out so far. Summer season has finally wound down (a bit at least) and there will probably be more posts with actual content. Here’s what’s been happening in my photographic world:
I sent my Pentax SPII off for a CLA, it seemed to be about time since one of the strap lugs had come loose. For future reference, Cameraworks charges $120 for a full CLA, which is fine, and at least I’m not shipping the camera anywhere (I did once send my Pentax ESII off to be repaired a few years ago by this guy but he wasn’t able to get the speeds right unfortunately). This will be the first time one of my cameras will have had a CLA.
I’ve had my Pakon F335 in storage for more than a year, but that’s about to change and I should be back to scanning my own images shortly (the only thing I scanned myself recently is this post, the rest of my images were scanned on Cameraworks’ F235 or Mike’s Camera’s Frontier).
I shot my first two rolls of Ferrania P30 alpha, happy to use the Axis Trio as I’ve dubbed it, for the first time: Japanese camera body, German lens, and Italian film, looking forward to seeing my results and scanning them on the Pakon. If it’s anything like Double-X (and from everything I’ve read it is), it’s a good film for older, low-contrast lenses and should give a very classic mid-century feel. Thankfully, I also shot on a pretty overcast day (rare in Colorado).
I was helping my mom rearrange some things in her house and came across a roll of film that had been in a basket just lying around the house. I thought it might have been a roll that I shot when I first moved to Colorado, maybe a good 7-8 years old now, as I still have one roll unaccounted for. It turned out to be something much more precious:
This was our home in Ohio which we had to sell back in 2002 which means that these pics are at least 15 years old, and judging by the way my brother looks, are probably closer to 20. While mostly different angles of the front of our house, I also managed to capture our dog Pinto that my mom brought out to Colorado, and who sadly didn’t survive long after that. Also in the background is a straw barn that we spent many an afternoon playing in back in the day. These were taken by me, with my Kodak Cameo Focus Free point & shoot camera, picked up at a thrift store at some point and probably still in my top drawer in the chest at my dad’s.
I bumped up the contrast a bit but that was all, and am pretty impressed with how good the images held up, even if they do now look a bit vintage. Knowing from experience how reluctant people are to drop off old film at a camera store these days, I recently had a single-use camera processed for a friend of mine and they were at least this usable. If people you know have film lying around undeveloped, please encourage them to make a trip to their local camera store, or barring that, offer to do it for them: it’s a nice favor and can bring back some great memories.