I remember when Jim Grey wrote this post just last a few weeks back, I thought to myself, “I’d better get over to Wal-Mart and pick up another 4-pack for old time’s sake,” especially since I had just looked on B&H and everyone else and saw that 4-packs of Fuji were listed as discontinued. By the time I actually got to Wal-Mart, it was all gone and the only film they sell now (besides Instax) is single-use cameras. It breaks my heart, however I have 5 or so rolls close at hand and more in the freezer.
But then just a few days ago I went to the other old standby, my local City Market.
They’d been selling 3-packs of Kodak Gold 200 for around $9.00, but now they’re $15! Heartbreaking, to think that there are now no cheap sources of film left unless one buys online. Still, when you really need something immediately, it’s good that there are a few options left…
I don’t know exactly why, but I’m the first hit when someone Googles “Fujica ZC1000.” Feeling lucky, it’ll send you directly to The Resurrected Camera. And if you search just for images, mine is the first there too. Pretty good for a camera I bought over a year and a half ago, have never used, meant to get a CLA for and never got around to doing it.
Not that I’m complaining mind you, but it’s strange to have that happen and it’s not like I’m an expert in the field of small-gauge filmmaking or the ZC1000 in particular (for that go read Ignacio’s blog). Having the number one search result on Google is pretty significant milestone, one I didn’t see coming.
Though while we’re on the subject of the ZC1000, I did manage to track down a (somewhat rough) copy of the 1.8/5.5mm EBC Fujinon-SW lens…so wide the only focus it needs is macro. And when I get a workflow for developing the film and reloading the single-8 cartridges, I’ll be using that baby. But for now, the Canon is easier to deal with.
Oh, and guess what: it seems I’m the first choice for information regarding the Pakon F335 scanner as well!
Well that I can understand more I guess, but still…
a.k.a. Quo Vadis II
An update: I spend the summers working and have been extremely busy, then cut back slightly so I can have a day or two just for classes. I’ll admit, I’ve been so busy that I have been restricting my posts to one or two a month, and all the pictures I’ve posted were shot sometime last year. Despite my good intentions, I don’t know if that’ll change soon, but I do still roll forward:
I got 25 rolls of film developed back in July, and finally started scanning some of them (the first 8 rolls at least). It’s good to hear the hum of the Pakon and so wonderful putting an entire roll through every few minutes.
I have 8 more rolls of film in the fridge waiting to be developed, and 17 more rolls to scan though I’ll try to edit as I go, as time permits. At any rate, I’m running out of drafts in the queue so there will be more recent photos posted soon.
In other news, Ektachrome is back and available in super 8 directly from Kodak’s website. 135 canisters will be available in about 2 weeks from retailers and 16mm is expected by the end of the year. Unfortunately, together with the $40 price tag (it says it’s an introductory price; hopefully it will drop eventually), there is no student discount available, which makes it nearly twice as expensive for me as all the other films. I think I’ll be waiting a while, but I wish Kodak all the best!
The news is a few days old now, but Kodak has announced Ektachrome will be sold starting Oct. 1:
Of course it says that it’s already for sale but every place I’ve checked says it’ll be delivered the middle of the month, but the super 8 will be sold right from Kodak’s website on the 1st. Damn good news. I can’t say that the price excites me ($13 for a roll of 135 film or $40 for a super 8 cartridge) but I still plan on getting some and shooting it. If you’re interested in seeing some of the first footage shot with this film, check out Ignacio Benedeti’s blog: http://mimundoensuper-8.blogspot.com/2018/09/ferrol-7294-trailer-especial-para-la.html
Well, the Reflex won’t be the only new 35mm SLR on the block, it seems (and evidently I missed all the big news with this, because the news broke around the same time). Also coming soon will be the PONF Camera – Photography on Film is what it’s supposed to stand for. For more information you can check out their website, https://ponfcamera.com. They have a WordPress blog too, which it might interest you to follow.
Just like the Reflex, they’ll have an interchangeable back, but they’re planning on having a 35mm back and a digital back. That way a photographer can use the same camera to digitize his/her film–I have no idea what other uses it could have…
Pictures and other thoughts are available here.
So the big question for me, because I’ve heard rumblings about this with the Reflex, is will the camera automatically function with M42 lenses, or will I have to manually stop them down? Because I could still buy a Bessaflex. An even better question for me personally, regarding previous thoughts, is if I should continue putting money into the M42 system or if it’s time to start seriously migrating to K-mount. Or just dump Pentax altogether and get myself a Nikon F2. I’m at a crossroads and I don’t know which direction is the right one yet. I of course want to help support new camera makers, but they need to provide the right features on their cameras for me to want to buy it.
I think when I first was looking into shooting bulk rolls for the intermediate photo class Tri-X in 100ft rolls were going for around $125 which made it cheaper to shoot regular 36exp rolls. I don’t know exactly when that changed but I’m happy to see it! Every online retailer I’ve looked at so far is asking $76.5 for a 100ft bulk roll of Tri-X!
It’s almost enough to make me get a darkroom set up! I’m in the process of finishing my photography minor with a 3D studio class, but if I take another photo class before I graduate you can bet I’ll take advantage of this!
Yup, two years later and it still isn’t out. And the price has kept going up. Honestly it’s been extremely frustrating with all the delays and price increases. I’ll be honest, I was much more into this camera when it was going to be $400-750. Right now they say it’ll retail somewhere around $2000-2500, with a release date of Summer 2018. But it does officially exist:
Although I still want one bad, anymore I’ll have to wait and see just what the final price will be because it seems that even Kodak employees don’t have a final answer. But if this thing’s gonna cost $2500 I don’t see how I or other students would be able to afford it. The universities should be able to, though…I hope I can borrow one from mine!
One good thing in there, it seems that if you’re a fan of developing your own movie film (and I’ve met a few who are), you’re not automatically required to buy processing/scanning with the super 8 cartridge so I see that as a plus. Kodak’s online store has gone back and forth between offering and not offering 16mm and 35mm film, and the price of super 8 film randomly fluctuates, I haven’t seen it advertised at what it should be since summer of 2017.