Shot at ASA50, developed in Sprint at 70F for ~7min (M). I can’t even remember how far back I shot this roll, maybe late 2017? It sat in my freezer because I wanted to be able to give it a little more attention with hand-developing. I still have 2 rolls left over from the Ferrania alpha run a few years ago now (maybe I should have ordered more when they were available but I missed that window).
With more film I’d want to try some of the D-96 Monobath as I have a feeling the film wouldn’t be as contrasty. That said, there’s an incredible amount of detail there if the film is exposed properly. There are several images in here where I burned in the sky quite heavily to get more cloud definition: not that I’m a master at dodging/burning but I have to say that they look relatively believable.
I shot this roll with the Olympus Trip 35, with the incredibly sharp 40mm f/2.8 lens. Go ahead and find some grain in these shots. In fact this was the last roll I shot in the Trip 35, the shutter seems to have seized up and I’m bummed about that. The 1/40 second shutter speed caused some blurry shots on the ASA50 film, I suppose that was to be expected. So does the Pakon have problems focusing for this film? I think it does indeed have a thicker base and the grain is so small. But I calibrated my Pakon when I took it out of storage (as I write this I just put it back in storage while I move) and I think there’s decent sharpness there, my own focusing errors notwithstanding.
In fact for a film that dates back to the late ’50s I couldn’t believe how little grain there is! According to Ferrania they’re all caught up on repairs and making P30 again so I think I’ll buy another 5 rolls of this film when they start selling it. It certainly isn’t going to replace Tri-X in being my everyday use film, but at ASA80 I wasn’t expecting it to, especially with the feeling-out that has been going on with developing. Until then, I have 2 rolls left and I want to shoot those in the Spotmatic with the 50mm f/4 SMC Macro-Takumar. If I ever needed to blow up a 35mm image to 20×24 or larger that’s the combination I’d use.
This summer’s order from Freestyle Photo. 20 rolls of Tri-X for continuing my Cowboys & Jeeps project plus I’m finally going to try out the new Ektachrome.
About this time last year I got a big shipment of super 8 film to continue the documentary. I might have put that on hold so I can finish this photo project. I’m on my last roll of Christmas present and already have 6 rolls of this batch in my camera bag right now.
We have 6 CJ-8 Scramblers from the early 1980s which are my favorite to drive, though I’ve killed one of them already. These are the first vehicles I’ve dealt with that had carbureted engines which I actually enjoy quite a lot and have learned a bit about. I will say: they do tend to break down easier sometimes but are generally easy to fix if you know what you’re doing. Evidently a lot of the other drivers are lazy or stupid, either way there have been enough complaints that the company put fuel injectors in three of the CJs and it breaks my heart a bit. The engine doesn’t look quite like it used to, nor does it sound as mean.
pictured: Ruby’s engine
Of course, putting a fuel injector in doesn’t mean that the thing will never break down:
In fact, maybe that makes just one more thing to go wrong…
For all the idiots that needed to be told where the view was, the City of Colorado Springs installed a big blue frame in Garden of the Gods, and thank God it didn’t last long. This happened December 2017, here are a few news stories from back then:
This happened at High Point where I take people for pictures if there is time and space. I remember for weeks before there being some construction going on, they had cones and the area roped off. This particular rock and parking lot are popular for wedding ceremonies, though I saw a few that were forced to go other places because of the construction. Then the hideous monstrosity appeared one day much to my and everyone else’s horror. Tourists of course, don’t care about such things because they don’t have to live with it, but to the people of Colorado Springs it was a slap in the face and collectively they had one reaction:
I’m happy to say that it was only there for a week or two and I just had to deal with it a few times. I always made sure to step as close to the frame as I could when taking pictures so the damn thing wasn’t in it.
I’ve shot color film in the Trip before, but it was always slide film. I was a bit afraid that the lens wouldn’t be contrasty enough for color negative film, remembering my experiment with the Leitz Summarit. But I went ahead and risked a $3 roll of Gold 200, and I’m glad I did, because I think these pictures look pretty nice.
So main point to take away? You won’t know what works until you try. And now I know that the Olympus Trip 35 is a more versatile camera than I had originally imagined. I can shoot damn near anything in it and be happy with the results.