Aliens

Down in the San Luis Valley on SR17 between Moffatt and Hooper, is a center for extraterrestrial enthusiasts, a place that has a reputation for being frequented by UFOs.  People flock from all over America, perhaps the world, to sit on the observation deck at night looking for spacecraft.

According to the lady that runs it, Spanish conquistadors wrote in their diaries about witnessing UFOs landing on the plain when they were first traveling through this area in the 16th century.  I have not corroborated this claim, but just pass it along.  There is a garden that psychics say contains powerful energy spots, and it is traditional to leave something behind after visiting.  Walking the garden is said to heal you of diseases.

I stopped there after attending the Southern Colorado Film Festival, as a good place to use up two rolls of Fuji Reala (expired 1993) that were kindly given to me by a lady in a thrift store in Alamosa, CO.  I thought that in keeping with the always grainy, out of focus and generally crappy images of supposed flying saucers, 25-year-old film would be a good choice.  The only saucers I saw though, were grounded.

Super is better than perfect

Great tagline, makes me swell with pride, so good going, Kodak.  It’s time to be done with digital perfection.  Here’s some new footage from the new prototype super 8 camera, right from Kodak’s new Youtube channel:

Merry Christmas to me.  Except for the part where it isn’t out yet, because its release has been pushed back to Spring 2017…the wait is interminable.  But so much for not posting in December, I found time after all!  And speaking of Christmas presents, if you haven’t been keeping up with the progress Ferrania is making, check out the brand new image from their first coating test:
http://www.filmferrania.it/news/2016/firsts
There is a future, faith manages.  Merry Christmas.

NAC customer example gallery

Back in the Spring 2013 I had my album manufactured by the National Audio Company out of Missouri.  They were supposed to be working on a customer example gallery, so I sent in a few promo shots…three years later the gallery is finally up and can be viewed here.  I’m happy to see Lacrimosa among them.

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I seem to be one of the only ones not using the standard white background.  I can’t decide if that’s good because it will help pull people’s eyes toward it, or bad because it now seems less professional.  Hmmm…

I posted this picture before, way back when.  But this one is new:

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(my friend John held the camera for me)

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New framerate for the Kodak super 8 camera

Well, since January when the camera was first announced, they’ve managed to make at least one improvement…sort of…I just happened to be browsing Kodak’s super 8 site and noticed it.

Instead of speeds of 9, 12, 18, 24, and 25fps (as originally announced), it will now have 18, 24, 25, and 36fps.  We’re getting slow motion, is the “glass half full” reading.  Of course we’re also losing the two lowest framerates, so there are actually less options now.  Will there be firmware updates in the future to add more framerates?  What about single frame speed, and timelapse?  While it’s a step in the right direction, I don’t understand why Kodak doesn’t work more toward making all other super 8 cameras obsolete.  Here are a list of features cameras had 35 years ago that make them still desirable:
-single frame advance and timelapse features (already mentioned)
-72fps
-constantly variable framerate
-variable shutter angle
-physical, manipulable buttons and dials
-optical viewfinder

I suppose those last two are in some ways considered outdated, but it seems to me that without them, it’ll be like the difference between shooting a modern DSLR and my old Spotmatic.  And I know which way I’d prefer to work.  We also still don’t know how quiet the camera will end up being.  Will we be able to shoot sync sound without requiring a blimp of some sort?  Will that be another accessory, like the handgrip?

Another thing on the wish list for me?  New lenses.  I want an American-made Kodak Cine-Ektar 12.5mm f/0.95 macro lens in C-mount.  And I don’t want to spend more than $700 for it.  Might as well dream big, hmmm?

Poolside fun with the Weathermatic

The ice and snow finally came last Thursday.  Then it left again, but now it’s back in full force, having somewhere around 6in on the ground up in Divide.  And since I don’t have easy access to a fireplace and glass of scotch at this precise moment, I can at least look back on a warmer time, 2 1/2 months ago.

Ah, the Minolta Weathermatic Dual 35.  I was glad to dig this camera out of the garage and put it back to work!  Staying at my friend’s house while on vacation, most of what we did during the day was hanging out in his pool.  Most everything else we did is captured here.  Again, there aren’t too many outstanding pictures here (and I wasn’t even wearing my glasses when I took any of these).

Those 223 batteries are getting expensive!  I picked a Duracell-made one at Batteries Plus just before I left, cost me $18…should have bought one online a few weeks before, I guess.  At the cost of a new battery every two years, this camera is costing a lot more than I thought it would.  I guess I need to use the camera a bit more here and there (and it does well outside of the pool as well) before the battery runs out by itself.

Knowing that the Weathermatic handles slide film well, I took along a roll of AGFAPhoto Precisa CT 100 (AKA Fuji Provia 100F), as well as a roll of Kodak Gold 200.  The C-41 was scanned at my local shop using the Pakon F235, the Provia was shipped to Mike’s in Boulder and scanned using their Noritsu.  I still have it in my head to gather up all my slide film and do a comparison between the Noritsu, Fuji Frontier used at Mike’s in Colorado Springs, and my own Pakon F335.  Maybe someday…

The Kodak Gold looks pretty good to me, especially when overexposed one stop, looks like lots of detail in the shadows, but I didn’t bother with dodging and burning.  I’ve shot other rolls of Kodak Gold, but they’re still waiting to be developed.  What I’ve seen of Kodak Gold so far made me want to try it out, and I’m glad I did.  I’m still in love with Fuji’s colors though!  At least I remembered to make sure that the lens didn’t have water droplets on it when taking pictures.  I wonder if being in a private pool helped (chemicals, I assume), as last time we were in a lake.  In any event, the water seemed to pour off of its own volition and wasn’t a problem.

If one looks close enough, a little motion blur can be occasionally seen, something I noticed last time I used it as well, and knowing that the camera only shoots at ASA100 and 400, I should have loaded up some 400 speed film in it, but forgot.  Even in bright sunlight, there can be motion blur from me holding the camera, and other times the motion is quite frozen.  I can’t quite say I understand it.  One thing else I found out is that occasionally, the Weathermatic’s exposure isn’t quite spot on, like below.  Of course it had to happen when shooting the Provia:

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On the festival circuit

First, an updated banner.  As is evident, Overwhelming Majority is having a pretty favorable response so far.

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This sort of continues my Advanced Photo project.  Now the show’s on the road.  Here are a few pictures from Blissfest333 in August and the Southern Colorado Film Festival in October.

I’ve met some pretty cool people, had some good discussions, and seen some interesting films.  Can’t wait to see what’s next.