I used a roll of the AGFAPhoto-branded Fuji Provia, it seems to be what it’s for these days. The Spotmatic is metering well, for the most part! I noticed that for some reason when I focused the lens one way, it metered one way and when I focused the other direction the meter read overexposed by a stop. I had Cameraworks tighten a few things up and now it’s not doing this. These are some of my favorite shots off that roll of film, that are well-exposed (and I feel better now that the lens works properly).
…At least the lens did work properly when I originally wrote this…it’s back to its old tricks now, so I guess the 1.8/55 could use a CLA too.
The chapel at the United States Air Force Academy, Colorado Springs, tends to draw quite a few visitors because of its interesting shape (you can search for pics online). But also due to its unique architecture it has always suffered problems with leaking, and will therefore close for renovation next year. If you’re planning on visiting Colorado Springs soon, you might want to check out the Academy chapel as your next opportunity could be at least 5 years from now.
While giving a tour of my city I took the opportunity of the bright sunlight to really let the stained glass do its thing inside the chapel, and the Ektar 100 really let the colors pop. Below is a view of some of the dormitory buildings. If you enjoy mid-century modernism the Academy is fantastic, and offers striking contrast with its surroundings.
I found this at one of the stores in the Springs a few months back, and originally thought it might be something new, but it seems it’s something mainly for the overseas market. I have no idea why the cartridge says Kodacolor and the box says ColorPlus. I think Kodacolor was something that was sold back in the ’90s, had no idea it had come back. Or has it?
As an all-around consumer film it does alright, especially with the blues. It doesn’t seem to pull detail out of the shadows as well as some of the others, and I really hope this isn’t being brought in as a substitute for Gold 200, because I think Gold beats this by a significant margin. Like with Gold 200, I shot it at ASA100.
Now the bad stuff: the first few shots were of wind generators in Eastern Colorado. I don’t know what was up with the film, but there was some strange mottling that’s most apparent during those frames, plus reduced contrast, almost looks like it’s expired. I suppose it has its uses as an effect, but I would have expected better from Kodak.
Unfortunately it wasn’t just that roll either. I took my second roll to Durango with me and had the same problem with that one.
Some of these go back to last fall, when I thought I’d try doing the tourist thing in my own town, but really just by snapping pics when I was supposed to be giving the tour.
I used an expired roll of AGFAPhoto Precisa CT 100 (aka Fuji Provia 100F) giving the Trip 35 the ultimate exposure test and I’m quite pleased that the selenium-powered autoexposure works perfectly fine, even after a period of 40-50 years. I’m now starting to see that the Trip 35’s lens isn’t the most contrasty ever, especially when the sun sneaks behind the clouds, so I’m happy that I’ll be able to shoot slide film in here.
Armed with that knowledge I took the Trip 35 to Wales with me to shoot a few rolls of Velvia 100 and am very happy with the results (I’ve been posting them for the last few weeks). The more I use this camera the more I love it. At $8.00 from a thrift store it was a real bargain too, and one that I’m happy I sprung for. Perhaps I shouldn’t have been so surprised that it did so well with slide film since that’s what people were shooting back when the camera was being made, but it’s nice to know that after such a period of time it still has what it takes.
I was able to take a train ride while attending the Durango Independent Film Festival in the beginning of March. Being winter, the line was only open for the bottom half, so it made a nice morning trip and something to do before attending my first screening at the festival.
While the scenery was nice, I was of course more interested in the steam locomotive itself.
It seems that each festival I go to is a better experience than the last, but I don’t know that Durango can be topped. They treated the filmmakers so nicely there, and it being 6 hours away from me, I decided to stay for the entire thing, which was definitely worth it. I stayed in the General Palmer Hotel (living in Colorado Springs for so long, I could stay nowhere else) which looked largely untouched by time. There were lots of activities I to do around town (like a trip on the Durango-Silverton Narrow Gauge Railroad), plus a special filmmakers only-lounge in the basement of the local Irish pub…assuming you didn’t watch films, and I did try to catch as many programs as I could. The best part though, was that the entire festival took place in the space of two blocks in downtown Durango, making everything nice and easy to get to. I forged some great relationships with people and will definitely be going back in the future.
I’ve always been more a fan of Fuji when it comes to color, even with Ektar, which really, I’ve yet to get the hang of. However, I’ve seen so many good results for Kodak Gold 200, thanks to its popularity on the Pakon F135 users’ group on Facebook, and I decided to give it a go myself.
I have to say, I’m quite happy with what it can do so far. As a plus, it’s readily available at the grocery store near my mom’s house, at a price of $9.00 per 3-pack no less. I’ll definitely shoot more.