The legend of Bulldog is that right before it was purchased by our company some 20+ years ago, it was involved in a head-on collision with a Mack truck. The Mack truck was totaled, the only thing they could salvage was the hood ornament, so we took it…and the Jeep came through without a scratch.
Probably not quite a true story, but still an entertaining one. Bulldog is the flagship jeep, and usually driven by Denim who besides driving tours is the resident mechanic. It’s considered an honor to drive the Dog, and this Summer I’ve gotten the honor quite a lot. Most of these pictures are from 2016, with some from 2017. I haven’t even developed anything from this year, which means there are probably a lot more Bulldog pics waiting to be shared…
Our company has I think 20 jeeps at last count, 6 of which are early-’80s Jeep CJ-8 Scramblers, of course the most fun to drive: no nonsense, no frills. That is to say, no automatic transmission, no cloth interiors, no doors or windows, no working gauges, just metal with vinyl seats, easy to hose off when it gets dirty. Bulldog also features a high-torque first gear/reverse and isn’t used in regular driving, just for pulling other vehicles out of ditches. As well, it doesn’t have power steering, which makes it akin to wrestling a bulldog, especially when driving up those all-dirt mountain roads…
I was going back through all the pics I’ve ever uploaded and found something I’d never published:
It was shot on my trusty SPII back in the days when all I had was the 1.8/55 SMC Takumar and I think I liked it because it just has that Takumar look to it–I must have shot wide open or close to it. I’m not sure I remember where I took this, except that it’s from inside and maybe a house belonging to one of my mom’s neighbors.
This was uploaded January 1, 2014, the day I started The Resurrected Camera.
I used a roll of the AGFAPhoto-branded Fuji Provia, it seems to be what it’s for these days. The Spotmatic is metering well, for the most part! I noticed that for some reason when I focused the lens one way, it metered one way and when I focused the other direction the meter read overexposed by a stop. I had Cameraworks tighten a few things up and now it’s not doing this. These are some of my favorite shots off that roll of film, that are well-exposed (and I feel better now that the lens works properly).
…At least the lens did work properly when I originally wrote this…it’s back to its old tricks now, so I guess the 1.8/55 could use a CLA too.
The chapel at the United States Air Force Academy, Colorado Springs, tends to draw quite a few visitors because of its interesting shape (you can search for pics online). But also due to its unique architecture it has always suffered problems with leaking, and will therefore close for renovation next year. If you’re planning on visiting Colorado Springs soon, you might want to check out the Academy chapel as your next opportunity could be at least 5 years from now.
While giving a tour of my city I took the opportunity of the bright sunlight to really let the stained glass do its thing inside the chapel, and the Ektar 100 really let the colors pop. Below is a view of some of the dormitory buildings. If you enjoy mid-century modernism the Academy is fantastic, and offers striking contrast with its surroundings.
I found this at one of the stores in the Springs a few months back, and originally thought it might be something new, but it seems it’s something mainly for the overseas market. I have no idea why the cartridge says Kodacolor and the box says ColorPlus. I think Kodacolor was something that was sold back in the ’90s, had no idea it had come back. Or has it?
As an all-around consumer film it does alright, especially with the blues. It doesn’t seem to pull detail out of the shadows as well as some of the others, and I really hope this isn’t being brought in as a substitute for Gold 200, because I think Gold beats this by a significant margin. Like with Gold 200, I shot it at ASA100.
Now the bad stuff: the first few shots were of wind generators in Eastern Colorado. I don’t know what was up with the film, but there was some strange mottling that’s most apparent during those frames, plus reduced contrast, almost looks like it’s expired. I suppose it has its uses as an effect, but I would have expected better from Kodak.
Unfortunately it wasn’t just that roll either. I took my second roll to Durango with me and had the same problem with that one.