Behind the scenes: Scorpion Cowboy headshots

He got the part!  I’d like to think it was all my doingHorizon starts shooting today in New Mexico and my friend Duane is there at least as an extra.  No matter what I might tell him when I’m joking around, I think he has a wonderful face.

The Double-X was perfect for the look I wanted in the headshots, but there are some pretty good portraits in here as well I think, with Tri-X; it gives a good comparison seeing both films shot in the same place with the same lighting.  He put me up for a few days after I’d sold my mom’s house and it was just a great experience all-around, we hung out and tried a few things, I had my camera with me the entire time so I definitely got a few more candid things here and there.  The first pic is taken with the Minolta and a few more were included here.  Duane was also kind enough to hold a camera for me so I could see just what I look like when I’m taking pictures.  Originally published here and here but I’ll include it again:

Behind the scenes of the 2022 pre-season meeting

I was commissioned this year to take headshots for the new drivers at AOW, this was me getting warmed up.

It was a great time hanging out and ended up being the last time I took pictures of one of our number.

Expired Kodak BW400CN

This film was on sale at my local camera store, expired between 2006 and 2008.  I decided to give it a try, I mean why not?  So this is about the last week in November and first week and a half or so in December.

It’s not bad stuff.  I shot it sometimes at ASA200 and sometimes ASA100, and think it works well outside: shadow detail can be a bit lacking otherwise.  Also for some reason the film scans always came back really dirty, lots of stuff like dust, etc, on the negatives.  I shot a lot of Ilford XP2 last year and I will say that it’s nice having at least that chromogenic film stock available but I wish that Kodak would bring this back at some point…and also Plus-X.  Shooting the expired stuff is fine for a bit of a change but all my reflexes at this point are for shooting ASA400 film and I don’t really want to change that up too much.  I think I had 6 rolls total and they’re all gone; I don’t plan on getting more.

Scorpion Cowboy: selected headshots

This is the guy (along with his wife, a good friend of my mom’s), that got me into driving jeep tours.  I’ve developed a reputation within the company as the resident photographer.  A few of our drivers are actors or would like to be, and I suppose headshots would be a good first step.

Some taken using the legendary Nikkor-PC 105mm f/2.5, and then I went a bit wider with the AI-Nikkor 85mm f/2.  They’re not all technically perfect as I did often refocus and sometimes didn’t quite hit it, but I’m still pretty proud of how they turned out.  Of course I used movie film to give these a certain cinematic look, and I have to say that Eastman Double-X is just stunning.  I took less formal portraits using Tri-X and it’s fun to compare the different characteristics; honestly I think Double-X will have to be my go-to black & white film for portraits.  Whether it’s the differing amount of silver in the emulsion, the fact that it’s remained virtually unchanged since Kodak introduced it in 1959, or just that it’s formulated for motion pictures instead of stills I’m not sure, but whatever it is this film just has that look and I love it.

Behind the scenes–portraits on Tri-X

Territory Days is back

Memorial Day weekend, 2022 which is hot and current as far as The Resurrected Camera is concerned.  After a two-year shutdown for COVID the local festival is back.

I photographed it for the first time in 2019 here and here.  As I didn’t live close anymore I only went once for a couple hours but I enjoyed myself and finally got to try the alligator I’d missed out on last time: it was anticlimactic.  I will hopefully be able to attend the Teller and El Paso County Fairs this year as well.

RIP Rosco

Another of our drivers has passed unexpectedly, a new guy that started last year who went by the handle Rosco.  He’s been in a couple of photos that I published already but I recently went through all the shots I’d taken to see if I could find more.

There were no real portraits, I’m sorry to say.  We never really got the chance to talk or do too many tours together though I did get to hear him talk to people once or twice and seemed to be very knowledgeable.  RIP Rosco.

Selected portraits from the 2022 pre-season meeting

About as current as it gets here at The Resurrected Camera, these date to the middle of May 2022, barely a month ago.  My job hired me to capture portraits of the new drivers at the annual pre-season meeting, to be used on the website; these photos amount to the first professional work I’ve seen out in the wild in quite some time, perhaps ever.  The meeting was held at the Cheyenne Mountain Resort and I used Cheyenne Mountain as a backdrop, shooting out on the patio in the shade of a building as the sun was setting.  I got a few of the not-so-new drivers as well: all in all I made portraits of 15 drivers and include my favorites below:

Besides the cowboys (and cowgirl) themselves, the star of the show was the AI’d Nikkor-PC 105mm f/2.5 portrait lens which was used for all but one of the exposures above.  There’s been so much written over the last 70+ years about the 105mm Nikkor so I don’t know what I can add except to say that I picked it up because it was cheap, I wanted to have at least one portrait lens, and it had a good reputation.  I’ve used it for a few portrait sessions so far and have been extremely happy with the results, as well as that from my AI Nikkor 85mm f/2 lens (which also makes an appearance here).  I would call either of these lenses a must-have for a Nikon manual-focus system, whichever you happen to run across first.  If you can, get both.

I suppose this means that I can call myself a professional photographer, right?  I’m hoping that this can be springboard me to bigger and better things but we’ll see.

2021 off-season cowboys

Not only did I probably shoot more color film last year than I ever had before, I shot more C-41 in general, in fact nearly exclusively.  These are all Ilford XP2.  I think that for the photo project itself black & white works better and I’ve experimented with turning my color film grayscale as well.

Most of these guys are coworkers of mine, one or two might be passengers and even more of an authentic cowboy than any of us.

Slipped through the cracks

These are culled from four rolls of Tri-X that I shot during the final week or two of taking Advanced Photography, from which this post was taken.  All that semester I had had my instructor Stacy to go through and edit the shots, help me pick out which were the best shots.  But she never got to look at these last four rolls, so even though I had them developed before the Summer break started I never looked too closely at them, I think I just wasn’t feeling too confident with my own editing skills back then.  I feel more confident now, but still I’m sure some day someone might go back through all my shots and say, “Well why didn’t you include these?”  So it goes…

I started my Instagram going in mostly chronological order and have gotten through all of my VA4110 images plus these.

I had just purchased my 2/35 Super-Takumar lens so was trying it out quite a lot back then, and found that I really liked that particular focal length so I didn’t take it off the body for weeks.  Even though I started shooting Nikon in early 2020 I didn’t buy my 35mm f/1.4 AI’d Nikkor until nearly a year and a half later.  Since I have though, that and the 50mm f/1.4 are nearly the only two lenses I use.