Why I love Double-X

Because for some reason Tri-X just isn’t enough for me.  When I want something a bit different I go for the 5222, Eastman Double-X.  Reasons to use Double-X?  Though grainier, it’s sharper, and it gives a different look, lovely tonality.  And cost, if you’re willing to invest in a 400ft roll of the stuff!

Tri-X is an everyday film, Double-X is for special occasions, and I used it for a few specific projects including my 2-semester-long (and just wrapping up) document of making Overwhelming Majority.

This current iteration was developed by Kodak in the late 1950s and then left alone, so it will give you a classic, mid-century look, especially if you use older lenses/cameras. And that is something I recommend!  It requires fairly precise exposure and development can be tricky since it’s designed to be used with Kodak D-96, and anything else will boost the contrast quite a bit.  Using older, low-contrast lenses will tame that somewhat.  I tend to shoot it inside if the light is good enough, or outside on overcast days.  I’ve seen some pretty good results from pushing, etc, though I’ve never had much luck myself.

Here are some great resources if you’re going to shoot Double-X:
Project Double-X (sadly defunct due to the death of its owner)
Through the Viewfinder’s 400ft Roll Project

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Overwhelming Majority released to the world

Overwhelming Majority is an experimental documentary dealing with issues of alienation, isolation, and social anxiety.  I remember my teacher Jane sending me this article when I was making the film and being very intrigued by that aspect, something I’d never considered.  OM has been screening at film festivals for the last year and a half, but in light of recent events like Las Vegas, perhaps it’s time to be seen by the rest of the world.

WINNER: Best Experimental film – 2016 Blissfest333
WINNER: Best Experimental film – 2016 UCCS Short Film Festival
NOMINATION: Best Experimental film – 2017 Wales International Film Festival
NOMINATION: Best Documentary Short – 2016 Blissfest333

OFFICIAL SELECTIONS:
2017 London International Documentary Festival
2017 Carmarthen Bay Film Festival
2017 Colorado Short Circuit
2017 Wales International Documentary Festival
2017 Durango Independent Film Festival
2016 Southern Colorado Film Festival

On the festival circuit: Colorado Short Circuit

April 22, 2017.  After Wales, Overwhelming Majority got one more chance to screen in the Springs, at a brand new iteration of the Indie Spirit Film Festival.  Colorado Short Circuit showcases the work of Colorado filmmakers working in short films.  I think for this version most of the featured films were made by people living on the front range, primarily Denver and Colorado Springs.

As always, a great time was had, and I certainly knew lots of people already.  As a bonus, I shot a few rolls of super 8 for my experimental/avant-garde cinema class.  I will be finalizing that project sometime in the Fall and then it’s back to submitting to festivals.

Home movies

Home Movie Day, October 2016 at the Southern Colorado Film Festival.  I saw Kodachrome projected for the first time and have to say that I was totally blown away with the colors.  The more I see the more I understand how big a hole it left, which the new Ektachrome will probably not be able to fill.

Filmmaker Eric Stewart was our projectionist and film enthusiast extraordinaire.  I also included a picture of some of his optical film printers that he’s working on restoring in his garage.

Cemetery (repurposed)

Rock Chapel, Blackwood.  A converted church that is now a private residence as well as a B&B, the husband and wife team who own it are big supporters of the Wales International Documentary Festival.  The chapel was my base of operations, and the graveyard outside provided much photographic inspiration over the two days of the festival.

As the chapel itself has been renovated and repurposed, so too has the cemetery outside.  I’d make a joke about the neighbors being quiet, but actually they weren’t, especially at feeding time in the morning.  I never knew sheep could be so excited over breakfast, but what they lack in facial expressions they make up for in the height that they can jump.  I thought for sure I had more pictures with the sheep in the graveyard, so maybe they’re there and I’m not looking hard enough…maybe they’re lying in wait, ready to pounce…

On the festival circuit: Wales International Documentary Festival

I never would have considered traveling to Wales for a film festival if not for some generous offers of funding when I had just learned that Overwhelming Majority had been accepted.  Unfortunately that funding fell through and I cancelled my plans, then decided very last minute that the opportunity to go was too good to pass up, even if it meant paying out of pocket for my plane flight.  It was a gigantic leap of faith my part and I am currently accepting donations to recoup this expense, as well as help me get to festivals further on down the road.

Though only at the festival in Blackwood for two days, I was able to get to know some cool filmmakers from Britain, Scandinavia, and Belgium, as well as see some interesting documentary films.  Probably the best part of the festival though, was being able to share my experiences with the interns, mostly film and journalism students from Cardiff University.  They were all cool people and I found that I fit in pretty well there.  I hope I’ll be able to get back to the UK before too long.

I brought the Canon 7 and the Olympus Trip 35, loaded with some classic black & white and slide films, shooting 4 rolls total.  There is much more to be posted from my first overseas trip.

On the festival circuit: Greetings from Durango

March 1-5, the Durango Independent Film Festival.

It seems that each festival I go to is a better experience than the last, but I don’t know that Durango can be topped.  They treated the filmmakers so nicely there, and it being 6 hours away from me, I decided to stay for the entire thing, which was definitely worth it.  I stayed in the General Palmer Hotel (living in Colorado Springs for so long, I could stay nowhere else) which looked largely untouched by time.  There were lots of activities I to do around town (like a trip on the Durango-Silverton Narrow Gauge Railroad), plus a special filmmakers only-lounge in the basement of the local Irish pub…assuming you didn’t watch films, and I did try to catch as many programs as I could.  The best part though, was that the entire festival took place in the space of two blocks in downtown Durango, making everything nice and easy to get to.  I forged some great relationships with people and will definitely be going back in the future.