The main event. A much more joyous occasion than two years ago, we met in Manassas, VA for my cousin’s wedding. He’s the last cousin to get married, which probably means my brother’s and my days are numbered…
At least we’ll be able to put them through a long plane flight like the ones I’ve had to endure the last few years!
The trial and error continues. Since last spring I’ve made it a point to shoot and get the hang of Ektar 100…it still hasn’t happened yet. Maybe it’s the lack of sunlight that skews the color temperature, or the fact that with a manual camera I’m not getting a proper exposure, or that I didn’t perform a whole lot of color correction in post. Whatever the reason, the unsatisfying results are just one more reason that I’ll shoot keep shooting the consumer-variety films.
First, an updated banner. As is evident, Overwhelming Majority is having a pretty favorable response so far.
This sort of continues my Advanced Photo project. Now the show’s on the road. Here are a few pictures from Blissfest333 in August and the Southern Colorado Film Festival in October.
I’ve met some pretty cool people, had some good discussions, and seen some interesting films. Can’t wait to see what’s next.
Don’t know if I’ve mentioned my new job but I drive jeep tours in Colorado Springs. While we were in Manassas, VA for a wedding, I and a few relatives took the opportunity to go into Washington, DC and get a bus tour of the nation’s capital, by moonlight. As I was halfway through a roll of T-Max 400 (and not pushing it), I didn’t have too high hopes for these pictures shooting 1/2 and 1 second exposures. Still, I quite like the ghostly quality of the results…
Just a reminder: don’t be asshole cheapskates like my relatives, tip your tour guides well!
This one goes back to Fall of last year, I forgot I had it (the roll of film predates this post). Strangely enough I had a dream last night having to do with industrial waste, parking lots, and photography. And Kodak.
An assignment for my Intro to Archaeology class, my friend and I studied a small parking lot to determine what information we could glean from what people leave behind them (in the form of trash, mostly), just as archaeologists can only learn about ancient peoples by what is left of them after being buried for millennia. And I took pictures.
It was a good chance for me to try out a new lens (the Mamiya/Sekor 55mm 1.8), as I had just purchased a Mamiya 1000TL the week before at a thrift store. I’ll try out the camera itself at a later time, but the lens is wonderfully sharp and I had no problem using it on my Spotmatic body. I tried for a bit of a minimalist aesthetic, and still life subjects aren’t something with which I have a whole lot of experience. The Mamiya/Sekor lens could focus quite close to my subjects, which was definitely useful for me.
Among the litter we surveyed, there were 7 straws, 2 cups, 4 pop cans, and 13 scraps of paper, but the most plentiful find was a total of 251 cigarette butts, which leads me to the conclusion that smokers are just assholes.
The pursuit of technical perfection can be an ideal to live up to, or an annoyance to avoid. I embraced William Klein’s ethos in my own work, caring not at all about trivialities such as focus, exposure, lighting, sharpness, or grain. Much of the process was simply the act of using a camera that performed the way I needed it to, and for this I chose a cheap consumer travel model that has only two shutter speeds, one of which is a slow 1/40sec, and zone focusing. I shot primarily expired film. There is a great difference in how people in Colorado Springs interact to each other as compared to large cities that William Klein shot in, such as Rome, Tokyo, and New York. I endeavored to find events where people would respect personal space just a bit less than normal, be rowdier, exist more intimately in the space and their interactions with others.
Now on to different projects. I’m scheduled to take Advanced Photography next semester, and in the interim I’m preparing to make another film.