I was commissioned this year to take headshots for the new drivers at AOW, this was me getting warmed up.
It was a great time hanging out and ended up being the last time I took pictures of one of our number.
Title taken from a previous post. This time around it’s my mother’s house, not my grandparents’.
In order: Kodak BW400CN, Ilford HP5+, Kodak T-Max P3200.
This film was on sale at my local camera store, expired between 2006 and 2008. I decided to give it a try, I mean why not? So this is about the last week in November and first week and a half or so in December.
It’s not bad stuff. I shot it sometimes at ASA200 and sometimes ASA100, and think it works well outside: shadow detail can be a bit lacking otherwise. Also for some reason the film scans always came back really dirty, lots of stuff like dust, etc, on the negatives. I shot a lot of Ilford XP2 last year and I will say that it’s nice having at least that chromogenic film stock available but I wish that Kodak would bring this back at some point…and also Plus-X. Shooting the expired stuff is fine for a bit of a change but all my reflexes at this point are for shooting ASA400 film and I don’t really want to change that up too much. I think I had 6 rolls total and they’re all gone; I don’t plan on getting more.
This was how I found my mom’s house when I arrived the day after she died; she’d been in the hospital for about a week and a half at that point.
It still gets me how differently people can be affected by the virus. I currently have it myself and am almost back to normal already after just a week. But because of that there will definitely be a Part 3…
This is the guy (along with his wife, a good friend of my mom’s), that got me into driving jeep tours. I’ve developed a reputation within the company as the resident photographer. A few of our drivers are actors or would like to be, and I suppose headshots would be a good first step.
Some taken using the legendary Nikkor-PC 105mm f/2.5, and then I went a bit wider with the AI-Nikkor 85mm f/2. They’re not all technically perfect as I did often refocus and sometimes didn’t quite hit it, but I’m still pretty proud of how they turned out. Of course I used movie film to give these a certain cinematic look, and I have to say that Eastman Double-X is just stunning. I took less formal portraits using Tri-X and it’s fun to compare the different characteristics; honestly I think Double-X will have to be my go-to black & white film for portraits. Whether it’s the differing amount of silver in the emulsion, the fact that it’s remained virtually unchanged since Kodak introduced it in 1959, or just that it’s formulated for motion pictures instead of stills I’m not sure, but whatever it is this film just has that look and I love it.
Back around 2016 I was making quite a lot of self-portraits, as part of the first iteration of Advanced Photo, and again in 2020 during the start of the COVID pandemic. Recently reviewing those photos for the first time has inspired me to start again, I think due to the death of my mother. It’s always a yardstick for me to measure where I’m at mentally and as this has been a trying time since December started; that’s what seems to bring it back up again. Just recently Kodak’s Instagram account started a trend with #photographersonfilm which has included quite a few mirror selfies so at least I can say I was ahead of the curve there, but then again I haven’t really put any out there til now.
Ilford HP5+, Kodak Tri-X 400, Ilford XP2 Super
These are different from the self-portraiture exhibited in this post. It’s a completely different project and older. Except for the ones with the cowboy hat. But most of these are taken in the mirror, I’ve been doing that since 2016 at least, and always enjoy when I can get my camera in the shot as well. There are occasions when I’ll ask someone to take a picture for me and how it usually works is they take a photo of me with their phone and I’d like one of myself with my own camera, or I just straight up ask them first. Either way my rule is “My camera, my picture/Your camera, your picture.” It’s sort of the movie director argument of having “creative vision.” That though, has resulted in quite a few mishaps because even if I give my camera to someone older that should absolutely know how to use a film camera, they can usually figure out a way to screw it up:
The final series of images where I was trying out Ilford XP2 for the first time.
Not that there aren’t more but I’ve been shooting a few different emulsions since the start of the year, some new and some old friends.
Memorial Day weekend, 2022 which is hot and current as far as The Resurrected Camera is concerned. After a two-year shutdown for COVID the local festival is back.
I photographed it for the first time in 2019 here and here. As I didn’t live close anymore I only went once for a couple hours but I enjoyed myself and finally got to try the alligator I’d missed out on last time: it was anticlimactic. I will hopefully be able to attend the Teller and El Paso County Fairs this year as well.
Another of our drivers has passed unexpectedly, a new guy that started last year who went by the handle Rosco. He’s been in a couple of photos that I published already but I recently went through all the shots I’d taken to see if I could find more.
There were no real portraits, I’m sorry to say. We never really got the chance to talk or do too many tours together though I did get to hear him talk to people once or twice and seemed to be very knowledgeable. RIP Rosco.