Work boots

Back at the beginning of March I took a construction job to keep the cash flowing in.  Here is a pic 3 months into my first construction job, and my Made-in-USA Thorogood steel toe boots look like I’ve had them for years and for the most part were very comfortable.

Unfortunately there was a seam where the upper met the toe box that just did not break in, and eventually I had to retire them in favor of a pair of Danner alloy toe boots just to survive the last two weeks I worked there.  I don’t miss the job and might go back to it in a traveling position (the money is too good), but I will say it helped me in other ways: I experienced a new way of life, picked up a bit of Spanish along the way, and dropped at least 20lbs.

Old cars, etc.

Because again, in Colorado and the Southwest, there are a lot of them.

The first is my pastor’s old Chevy that he’s been working on for the last few years.  The others are at the place I was recently staying, the owner is a big fan of vintage Willys and Plymouth vehicles.  There will probably be plenty more on this in the future.  I hope Jim Grey approves!

Gawkers as spectacle

Building off one of my photo instructor’s categories of my Cowboys & Jeeps photo project, here are a few shots from the zoo that I took that fit into that category.

I suppose that this might fit into the whole photo project but I wasn’t planning it.  If so expect them to be black & white at some point.

The endless accessorizing…

Man, do I love the look of the Nikon F with a prism finder, especially a black body with a lot of wear!  I’m now of the opinion that it’s the most beautiful camera in the world, or at least the most beautiful 35mm SLR.  And since my F Apollo’s Photomic finder was:
1) chrome, so not the original finder for a black body
2) far too early to be paired with a post-1972 Apollo body anyway
3) non-functional
4) ugly
I decided it was time to get something much sleeker, lighter, and better-looking, hence:


(I actually bought one in mint condition first but it just looked too new for the rest of the camera)

Now all the beautiful brassing can be appreciated more!  This camera as it looks above is what I’ve been shooting nearly all of 2020 for my photo project.  This thing has already taken a beating over the last half a century so I’m less careful about where I take it and how gently I treat it; every ding is a story and if this camera could talk I’d buy it drinks all night to hear its history.  I’ve never been one to buy camera equipment purely on aesthetics alone but I confess it’s happening more now that I’ve been delving into the Nikon system.  This finder came with the chrome-bodied F in the picture below:


(and the system has continued to grow with more lenses as well)

Not pictured: my original F2A which is taking the picture sporting the 55mm AI-s Micro-Nikkor. I suppose that using one camera means it can’t be in the picture so I’ve yet to get a complete family portrait but since I shot about 5 rolls of color film around September/October, I would keep Black&White in the F and color in the F2.


(I’m not going to add any more tags, but this one’s Fuji Superia 200, for completeness’ sake)

I was also generously given a chrome DE-1 prism finder recently, which has now gone on my chrome F2 (the DP-1 finder wasn’t working; it seems to be a common failing). The chrome F prism finder came off a parts body I bought cheap. I suppose Nikon should be commended for the foresight to have removable finders as it allowed for continuous upgrades of the F from 1959 to 1968.  And of course over the course of the last 50+ years the electronics on those old finders have a pretty high failure rate, so the people who bought the prism finder now appear far-sighted as well as more ballsy.  Now that people are catching on though, their prices keep going up.  But besides the lens, the right finder is an accessory that I’ll go out of my way to find.  I’ve also acquired film doors, soft-shutter releases, focusing screens, finder eyepieces, finder covers, filters, a speedlight setup, the possibilities and combinations seem endless for creating just what I need to shoot on any given day.  For the photographer with a bad case of GAS, a job, and money to “invest” in new equipment, Nikon’s F system always had something else he didn’t have yet.

In fact from talking to people online it would appear that the common definition of a “professional camera” is one with removable/interchangeable finders.  I’m definitely a fan of the non-metered prism finders, as they’re lighter and just look better.  I shoot primarily Tri-X and know it well enough that Sunny-16 doesn’t bother me, though I should probably get a good handheld meter at some point.  Hmmmm, something else to buy…