I was commissioned this year to take headshots for the new drivers at AOW, this was me getting warmed up.
It was a great time hanging out and ended up being the last time I took pictures of one of our number.
This is the guy (along with his wife, a good friend of my mom’s), that got me into driving jeep tours. I’ve developed a reputation within the company as the resident photographer. A few of our drivers are actors or would like to be, and I suppose headshots would be a good first step.
Some taken using the legendary Nikkor-PC 105mm f/2.5, and then I went a bit wider with the AI-Nikkor 85mm f/2. They’re not all technically perfect as I did often refocus and sometimes didn’t quite hit it, but I’m still pretty proud of how they turned out. Of course I used movie film to give these a certain cinematic look, and I have to say that Eastman Double-X is just stunning. I took less formal portraits using Tri-X and it’s fun to compare the different characteristics; honestly I think Double-X will have to be my go-to black & white film for portraits. Whether it’s the differing amount of silver in the emulsion, the fact that it’s remained virtually unchanged since Kodak introduced it in 1959, or just that it’s formulated for motion pictures instead of stills I’m not sure, but whatever it is this film just has that look and I love it.
Back around 2016 I was making quite a lot of self-portraits, as part of the first iteration of Advanced Photo, and again in 2020 during the start of the COVID pandemic. Recently reviewing those photos for the first time has inspired me to start again, I think due to the death of my mother. It’s always a yardstick for me to measure where I’m at mentally and as this has been a trying time since December started; that’s what seems to bring it back up again. Just recently Kodak’s Instagram account started a trend with #photographersonfilm which has included quite a few mirror selfies so at least I can say I was ahead of the curve there, but then again I haven’t really put any out there til now.
Ilford HP5+, Kodak Tri-X 400, Ilford XP2 Super
These are different from the self-portraiture exhibited in this post. It’s a completely different project and older. Except for the ones with the cowboy hat. But most of these are taken in the mirror, I’ve been doing that since 2016 at least, and always enjoy when I can get my camera in the shot as well. There are occasions when I’ll ask someone to take a picture for me and how it usually works is they take a photo of me with their phone and I’d like one of myself with my own camera, or I just straight up ask them first. Either way my rule is “My camera, my picture/Your camera, your picture.” It’s sort of the movie director argument of having “creative vision.” That though, has resulted in quite a few mishaps because even if I give my camera to someone older that should absolutely know how to use a film camera, they can usually figure out a way to screw it up:
Memorial Day weekend, 2022 which is hot and current as far as The Resurrected Camera is concerned. After a two-year shutdown for COVID the local festival is back.
I photographed it for the first time in 2019 here and here. As I didn’t live close anymore I only went once for a couple hours but I enjoyed myself and finally got to try the alligator I’d missed out on last time: it was anticlimactic. I will hopefully be able to attend the Teller and El Paso County Fairs this year as well.
Another of our drivers has passed unexpectedly, a new guy that started last year who went by the handle Rosco. He’s been in a couple of photos that I published already but I recently went through all the shots I’d taken to see if I could find more.
There were no real portraits, I’m sorry to say. We never really got the chance to talk or do too many tours together though I did get to hear him talk to people once or twice and seemed to be very knowledgeable. RIP Rosco.
2021 was the year that I started dressing better thanks to working a construction job: I would wear the same clothes every day without washing for a week, and they would get so grimy with concrete dust, that I just felt disgusting all the time, plus it was all kind of samey. In my initial search for a good pair of steel toe work boots I started watching a lot of videos online, and mostly they were oriented toward fashion boots rather than work boots, but that gave me plenty of ideas for nice clothes that I could enjoy when I wasn’t wearing my construction gear. That carried over into going back to the job I actually enjoy. I have to thank Carl Murawski, Stridewise, Rose Anvil, and maybe one or two other channels on the youtube, plus facebook groups like the Alden Shoes Enthusiasts and Selvedge & Quality Supply. A lot of the pictures that follow were ones that I took to post on one of those two groups; a few were mimicking the standard shots that get posted there but I do try to give them my own personal flair, and I’m sure I’m the only one shooting on film.
Most of all I was concerned with buying new items that were not made in China, but also staying away from companies that don’t offshore their production, and prioritized American-made wherever possible. By October I could put together an outfit that was 100% Made in USA and I wear that most days. Brands featured in these photos include: Stetson hats, Brave Star Selvage, Alden Boots, Schaefer Outfitters, Ruddock Shirts/Flying R Ranchwear, Sugar Cane jeans, Nama Denim, Legacy 92. And this year there is another new pair of jeans from Brave Star plus a pair of White’s cowboy boots.
And since I was adding a lot of color to my look (thanks to the shirts) I started shooting more color film, also handy considering it was Fall. It seemed to be at the start of the film shortage and I was going around to Wal-Marts and Walgreens in the area and buying up whatever stock they had of Fuji Superia and Kodak Ultramax. I’m glad I did because it might be the last time I get to use Superia 400 since Fuji shut down their factory in 2020 and we still don’t know right now if they are reopening it or having other companies manufacture film for them from now on.
Not only did I probably shoot more color film last year than I ever had before, I shot more C-41 in general, in fact nearly exclusively. These are all Ilford XP2. I think that for the photo project itself black & white works better and I’ve experimented with turning my color film grayscale as well.
Most of these guys are coworkers of mine, one or two might be passengers and even more of an authentic cowboy than any of us.
One of the aspects my peers criticized in my photo project was that there were hardly any pictures with me in them. I’ve kept that in mind ever more frequently this year and either taken more selfies or had someone else hold the camera for me. Hopefully I was successful in my attempt to add a bit of my own personal je ne sais quoi to these.
Film, in order: Fuji Superia 400, Kodak Ultramax 400, Ilford XP2 Super, Kodak BW400CN (exp.2008).