Trip 35 and color slides

Some of these go back to last fall, when I thought I’d try doing the tourist thing in my own town, but really just by snapping pics when I was supposed to be giving the tour.

I used an expired roll of AGFAPhoto Precisa CT 100 (aka Fuji Provia 100F) giving the Trip 35 the ultimate exposure test and I’m quite pleased that the selenium-powered autoexposure works perfectly fine, even after a period of 40-50 years.  I’m now starting to see that the Trip 35’s lens isn’t the most contrasty ever, especially when the sun sneaks behind the clouds, so I’m happy that I’ll be able to shoot slide film in here.

Armed with that knowledge I took the Trip 35 to Wales with me to shoot a few rolls of Velvia 100 and am very happy with the results (I’ve been posting them for the last few weeks).  The more I use this camera the more I love it.  At $8.00 from a thrift store it was a real bargain too, and one that I’m happy I sprung for.  Perhaps I shouldn’t have been so surprised that it did so well with slide film since that’s what people were shooting back when the camera was being made, but it’s nice to know that after such a period of time it still has what it takes.

Poolside fun with the Weathermatic

The ice and snow finally came last Thursday.  Then it left again, but now it’s back in full force, having somewhere around 6in on the ground up in Divide.  And since I don’t have easy access to a fireplace and glass of scotch at this precise moment, I can at least look back on a warmer time, 2 1/2 months ago.

Ah, the Minolta Weathermatic Dual 35.  I was glad to dig this camera out of the garage and put it back to work!  Staying at my friend’s house while on vacation, most of what we did during the day was hanging out in his pool.  Most everything else we did is captured here.  Again, there aren’t too many outstanding pictures here (and I wasn’t even wearing my glasses when I took any of these).

Those 223 batteries are getting expensive!  I picked a Duracell-made one at Batteries Plus just before I left, cost me $18…should have bought one online a few weeks before, I guess.  At the cost of a new battery every two years, this camera is costing a lot more than I thought it would.  I guess I need to use the camera a bit more here and there (and it does well outside of the pool as well) before the battery runs out by itself.

Knowing that the Weathermatic handles slide film well, I took along a roll of AGFAPhoto Precisa CT 100 (AKA Fuji Provia 100F), as well as a roll of Kodak Gold 200.  The C-41 was scanned at my local shop using the Pakon F235, the Provia was shipped to Mike’s in Boulder and scanned using their Noritsu.  I still have it in my head to gather up all my slide film and do a comparison between the Noritsu, Fuji Frontier used at Mike’s in Colorado Springs, and my own Pakon F335.  Maybe someday…

The Kodak Gold looks pretty good to me, especially when overexposed one stop, looks like lots of detail in the shadows, but I didn’t bother with dodging and burning.  I’ve shot other rolls of Kodak Gold, but they’re still waiting to be developed.  What I’ve seen of Kodak Gold so far made me want to try it out, and I’m glad I did.  I’m still in love with Fuji’s colors though!  At least I remembered to make sure that the lens didn’t have water droplets on it when taking pictures.  I wonder if being in a private pool helped (chemicals, I assume), as last time we were in a lake.  In any event, the water seemed to pour off of its own volition and wasn’t a problem.

If one looks close enough, a little motion blur can be occasionally seen, something I noticed last time I used it as well, and knowing that the camera only shoots at ASA100 and 400, I should have loaded up some 400 speed film in it, but forgot.  Even in bright sunlight, there can be motion blur from me holding the camera, and other times the motion is quite frozen.  I can’t quite say I understand it.  One thing else I found out is that occasionally, the Weathermatic’s exposure isn’t quite spot on, like below.  Of course it had to happen when shooting the Provia:

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Home

We lived in this house 1994-2002, the longest I’ve consecutively lived in one place.  The house was built in 1820 by J.C. Hayes, a veteran of the War of 1812.  War veterans were given land in that part of Ohio as a reward for their service–many of them became farmers and this house is still surrounded by 3000+ acres of farmland, all owned by one man.

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There was originally a red wooden barn behind the summer kitchen that among other things, held a tunnel that had been filled in.  There was talk that this house might have been a stop on the underground railroad, though I don’t know that my parents ever looked into it.  Unfortunately the current owners demolished the barn, so I don’t know if any evidence is left of that.  In the 1970s, the band McGuffey Lane used it as a practice space, I’m told.  Our next door neighbor and dear friend, a construction contractor, had owned this house for years, and at that point was in quite bad repair, to the point of deer living inside.  He put a lot of work into that house, and is responsible for much of the electrical work and plumbing.

There was a lot of work still left to do, but my parents saw the potential in the house.  When our friend died in the early ’90s, we bought the house from his parents, and continued the renovation, and opened a bed & breakfast.  I have a lot of hard memories growing up, but the house itself was home, a sanctuary away from the madness of life.  My grandpa died in that house.  My brother and mother insist that it’s haunted–I’m not quite as spiritually aware as they are, and the house never bothered me.  My mom had a premonition (if you want to call it that), and wanted to sell the business in 2000, but my dad refused; revenue had been steadily climbing since they opened.  Unfortunately after Sept 11 happened, a lot of people stopped traveling and pretty much anything connected to travel and tourism took a big hit, including us.  We sold the house and the business less than a year later.

The people who bought the bed & breakfast after us didn’t do too well and went under.  They owed us quite a lot of money but escaped that by declaring bankruptcy, as well as making off with several articles of antique furniture, etc before they moved down South.  I also think they took an industrial waffle iron that I was quite fond of, and would have loved to have owned.  Oh well, life goes on.  My dad knows more about the current owners and I didn’t ask him too many questions, though apparently the house is still operated as a bed & breakfast.  If I ever become filthy rich, I will definitely own that house again.

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The scans were a bit on the green side for some reason, and I had to do a little correction in Photoshop.  Strangely, it didn’t affect the rest of the roll.  The artifacts on the left side of the second picture are tears, I believe: it was the last shot on the roll, and the Weathermatic would be damned if it didn’t give me one last exposure.  God bless it…

Home: Project 1 – Intermediate Photography

What is home, what is family?  How do we define just what that means to us?  When thinking about the concept of family, I usually go back to a passage in the bible where Jesus describes a his concept of family: “A crowd was sitting around him, and they told him, ‘Your mother and brothers are outside looking for you.’ ‘Who are my mother and my brothers?’ he asked. Then he looked at those seated in a circle around him and said, ‘Here are my mother and my brothers…’” (Mark 3:32-34). The concept of family (or home) seems to be in flux so much of the time, but I also remember the old saying, “Home is where the heart is.” We create home wherever we go and wherever we are most comfortable, and the people around us that we accept into our lives become our family—indeed, frequently better, because we don’t get to pick our biological family.

In this idea I was inspired by Larry Clark, from his book Tulsa to his film Kids, and his later work.  He seems to really have adapted well to niche societies in a way that I don’t think I could have.  I really admire the way he has become involved in the modern skateboarding culture and other groups of young people, as if after all his old family died around him, he was welcomed into new homes. As a man in his mid-60s, he’s become an adopted child, or at least a foster child.  In execution I was inspired by some good friends of mine whose kids’ rooms feature some great photo collages (the kids are my age and have since moved out, settled down, gotten married, but their rooms are still pretty much the way I remember them being when I was in my late teens).  I’ve known this family for nearly 20 years now.

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Being from central Ohio, I think the first phrase I ever learned to say was “Go Bucks!” and with my parents both graduating from Ohio State, it was only natural that I (and my brother) follow in their footsteps.  Sadly, I never graduated from there, but I keep the spirit alive out here.  One of the things that I am able to do more often now that I’m living in Colorado Springs is attend the Pike’s Peak region OSU alumni association get-togethers to watch the football games.  A lot of the rest of the images were taken in and around my church, or at related functions.  There are quite a lot of food pictures; nothing says family and home to me like breaking bread together.

I printed on Oriental cooltone fiber paper (glossy) for the black & white, and Ilford Gallerie Pearl for the digital prints.

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Cyanotype onesies – Alternative Processes

So here are the final examples of the cyanotypes I did on cotton.  I never was able to determine why exactly they turned yellow, but I have ideas, and perhaps one day I’ll experiment more.

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I tried washing the onesies beforehand, that didn’t work.  I tried washing afterwards in cold water, but they started to fade.  I tried prewashing cold without detergent for the last one, didn’t make a difference.  The only thing I can think of right now, is that I was on well water at the time, whereas the cyanotype solution was mixed on campus with city water, but aside from that, I don’t know what I did wrong.  Other people printed cyanotypes on cotton with no problem!  For the record, they were a gorgeous deep blue until I took them home and put them through the washing machine.

I snapped this just to have a record of it before I sent these off to my friends (and their new baby) in Boulder.

The first part of this post is here.

Bishop Castle on AGFA Precisa CT 100

No great art to be found here, just a family outing, really.  My bro was in town, we went to Bishop Castle in southern Colorado which this guy has been building by hand for the last 40 years or so.  I used about half of my roll of AGFA Precisa CT 100 on this outing.  Honestly if I did it again I’d have to get a wider lens or use a different camera.  Most of the shots are using a 35mm lens and it just isn’t wide enough to get everything in that I want to, but that’s life.  I don’t think the pictures are too amazing, but this is the kind of stuff that I’ve been doing for the last 5 years now, just documenting things and life the way people used to do it: on film.

Again, I think AGFA Precisa is probably rebranded Fuji Provia 100F.  I think it looks great myself, and it cost me half of what a “real” roll would have.  I hope they make more, because right now people seem to be selling it for way too much.  Don’t buy it unless you can get it for cheap.

More on slides: AGFA Precisa CT 100 (and more bracketing)

Which according to the internet (so it must be true), is rebranded Fuji that didn’t meet quality standards.  Despite what the saleslady said when I bought it (“It’s not Fuji!”), I don’t think it’s Agfachrome, don’t think it’s actually made by AGFA (their film is sold by and as Rollei now), and since the box said “Made in Japan” as well as the film canister coming in the standard Fuji plastic container, I’m going to have to go with the internet on this one.  As far as quality goes, I’d say it looks great, I have no complaints there at all; perhaps the colors aren’t as wild as Velvia 50 but it does make up for it in other areas.  I bracketed some shots I wasn’t sure about, but the differences are pretty minute compared to the Velvia.  Whether this is Provia or possibly Astia, this is a much more forgiving film, and I might have gotten away with not bracketing at all.  It’s something that’s good to know in case I get one chance at a particular shot: at the very least I won’t have to worry as much.  Here’s what I mean:

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f/11 250                 f/9.5 250                 f/8 250   on a 35mm lens

And again, this time a whole stop apart:

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f/5.6 500               f/4 500                   f/2.8 500    on a 100mm lens

I think in both cases, the middle picture seems most correct to me, judging by color.  So with this film, the penalty for fudging your exposure by a stop or so is that the colors will be slightly different–you’re not really in danger of missing the shot.  As far as I remember, the light meter told me the shots on the left, the ones on the right were the reading of my hand against a green background.

I picked up this film to try because it was quite a bit cheaper ($8/roll) and would do so again if I could find any more.  It seems stocks are depleted and prices are high now, so unless you can get this cheap you’re better off with the real Fuji Provia 100F.  As with the last roll, I used the Canon AE-1 that was gifted to me, and most of my pictures were taken with a 35mm lens that was also gifted to me.  Here’s one more series that my brother insisted I get a picture of; I think I’d go far left this time as the most correct-looking:

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f/11 125                 f/8 125                  f/5.6 125   on a 35mm lens
You’re welcome, Jake.

In other news, I will be going for a minor in Visual Arts, emphasis in photography, because I’m not busy enough already with all my music stuff.  Yay for me.  Actually, I’ve found that I really enjoy taking pictures and want to continue taking photography classes.  Also, this will give me a good excuse to spend more money on cameras.