Well here’s some more good news: a company called Reflex is making an all-new manual SLR, which would make it the first since Cosina-Voigtlander made the Bessaflex (which was what, 13-14 years ago? Not quite as long as the article is claiming but whatever). Their Kickstarter campaign will be going live in about two weeks, the original story is here: http://www.film-traveler.com/reflex-1st-new-manual-slr-25-years/
Like the article mentions already, the shots on their Instagram are taken with a Super-Takumar lens, so I do really hope that like the Bessaflex this is an M42 mount camera! Of course, whether or not I can buy one, that will depend on the price. I did just get a full CLA for the Spotmatic which cost me $120, meaning that the entire amount of money I paid for that camera body (including the battery) is somewhere around $137. I doubt that a new manual camera would be less than $400, and also doubt that it will have the same build quality as a Spotmatic. Hope I’m wrong though!
The chapel at the United States Air Force Academy, Colorado Springs, tends to draw quite a few visitors because of its interesting shape (you can search for pics online). But also due to its unique architecture it has always suffered problems with leaking, and will therefore close for renovation next year. If you’re planning on visiting Colorado Springs soon, you might want to check out the Academy chapel as your next opportunity could be at least 5 years from now.
While giving a tour of my city I took the opportunity of the bright sunlight to really let the stained glass do its thing inside the chapel, and the Ektar 100 really let the colors pop. Below is a view of some of the dormitory buildings. If you enjoy mid-century modernism the Academy is fantastic, and offers striking contrast with its surroundings.
Home Movie Day, October 2016 at the Southern Colorado Film Festival. I saw Kodachrome projected for the first time and have to say that I was totally blown away with the colors. The more I see the more I understand how big a hole it left, which the new Ektachrome will probably not be able to fill.
Filmmaker Eric Stewart was our projectionist and film enthusiast extraordinaire. I also included a picture of some of his optical film printers that he’s working on restoring in his garage.
I found this at one of the stores in the Springs a few months back, and originally thought it might be something new, but it seems it’s something mainly for the overseas market. I have no idea why the cartridge says Kodacolor and the box says ColorPlus. I think Kodacolor was something that was sold back in the ’90s, had no idea it had come back. Or has it?
As an all-around consumer film it does alright, especially with the blues. It doesn’t seem to pull detail out of the shadows as well as some of the others, and I really hope this isn’t being brought in as a substitute for Gold 200, because I think Gold beats this by a significant margin. Like with Gold 200, I shot it at ASA100.
Now the bad stuff: the first few shots were of wind generators in Eastern Colorado. I don’t know what was up with the film, but there was some strange mottling that’s most apparent during those frames, plus reduced contrast, almost looks like it’s expired. I suppose it has its uses as an effect, but I would have expected better from Kodak.
Unfortunately it wasn’t just that roll either. I took my second roll to Durango with me and had the same problem with that one.
I was able to take a train ride while attending the Durango Independent Film Festival in the beginning of March. Being winter, the line was only open for the bottom half, so it made a nice morning trip and something to do before attending my first screening at the festival.
While the scenery was nice, I was of course more interested in the steam locomotive itself.
It seems that each festival I go to is a better experience than the last, but I don’t know that Durango can be topped. They treated the filmmakers so nicely there, and it being 6 hours away from me, I decided to stay for the entire thing, which was definitely worth it. I stayed in the General Palmer Hotel (living in Colorado Springs for so long, I could stay nowhere else) which looked largely untouched by time. There were lots of activities I to do around town (like a trip on the Durango-Silverton Narrow Gauge Railroad), plus a special filmmakers only-lounge in the basement of the local Irish pub…assuming you didn’t watch films, and I did try to catch as many programs as I could. The best part though, was that the entire festival took place in the space of two blocks in downtown Durango, making everything nice and easy to get to. I forged some great relationships with people and will definitely be going back in the future.