I honestly didn’t shoot that much, I was so busy just looking around. This was one of the places I’d been wanting to check out since I found out the next Blackburn Reunion would be near Rochester. Just standing in the same rooms that the Great Man stood, walking where he walked, it was special.
Compared to the McMansions that are made today and some of the places I’ve seen Eastman’s house seems modest, even austere in a way. But one thing that I was aware of is that everything is of top quality. There were some very nice grounds with flowers and at least one pond, but I enjoyed the grape vines more, at least they’re something useful. I tasted one too, they’re way too sour. Besides that the only souvenir I took was an acorn that fell from one of the oak trees in his front yard. Everything else has a bit of significance too: a long exposure in the camera obscura, a mirror selfie in Eastman’s study, the nitrate archive, and Eastman’s love of music (wouldn’t let me get close enough to the pipe organ). Probably these pictures aren’t very interesting to anyone but me, that’s ok. If you’re in Rochester and you love shooting on film, go make your own pictures there. Just don’t buy a roll of film in their gift shop, it’s outrageously expensive.
Every couple of years my college buddies get together around Labor Day Weekend to hang out. This year we stayed at the house of one of our uncles, on Canandaigua Lake in Upstate New York. I miss this area quite a lot, we spent some time here when I was a boy and it was great to make it back to such a beautiful spot. There was some hanging around as you can see, board games, lots of meals, generally stuff that we did together when we all lived in Columbus. Flying into Rochester, NY and staying around the Finger Lakes I of course left all my Fujifilm stocks at home.
The roll of Cinestill 800T was downright ancient, I think I’d had it in my fridge for almost four years and it looks rather grainy. It’s also the first roll I’d shot in a while and I did shoot it outside now and again, with my orange filter. That worked better than the first time I tried. Strangely, I had to work with the indoor shots much more to find an acceptable color temperature (not my strong suit). I was anticipating some late nights in near-darkness and the T-Max 3200 definitely came through for me there, this is the second roll of the stuff that I’ve shot. One of my goals was to take a good portrait of each of my friends, though there was some resistance to that. I got a pretty good shot of most everybody (and they even turned the camera on me once or twice too). I also tried a cigar for the first time ever and puked my guts out about half an hour later (then it became a true college party); ironic that one of my buddies had mentioned earlier that he never took whisky and cigars together for just that reason, and I had to learn the hard way too…power of suggestion?
The T-Max 3200 was bought last year (in an order from Cinestill). I think I’m acquiring a bit of a taste for this film: the grain is certainly pronounced (in fact compare it to the last time I pushed Tri-X to 1600), but I love the moodiness that it gives the pictures. In fact next time we get together I might just keep it all black & white because I’m a bigger fan of that roll of 3200 than anything else I shot. Then I could roll out the f/1.4 Yellow 50; this time I knew I wanted to shoot some Cinestill 800T so I brought out the 1.8/55 SMC Takumar.
So is the 3200 really any better than pushing Tri-X to 3200? I honestly don’t know, I’ve only pushed Tri-X to 1600. I have heard that the results can be a bit unpredictable to go beyond 1600, but then perhaps I should put that to the test myself. Or maybe look at T-Max 3200 shot at 1600, to compare the grain. It does look very grainy, more than I would have thought. Where does the T-grain have its limitations? The outside night shots here were T-Max 400 shot at 3200; it might not be the most scientific comparison, but I don’t see much difference.
The 2019 APPA Lineworkers’ Rodeo was held in Colorado Springs at Rock Ledge Ranch just outside of Garden of the Gods. When Colorado Springs Utilities was erecting all these telephone poles I had no idea what was going on so when people would ask I’d tell them they were building a UFO observation platform to compete with Alamosa’s. Despite the attire of the people, it really wasn’t that cold out…
I shot this for my Adv.Photo project but ultimately it was decided that it wasn’t thematically in keeping with what I’d already done. Still, there were seven or eight images that my instructor liked a lot; I’ve included a few more.
(Actually they’re both friends) It was Summer and dry and hot, definitely a memory I need in these cold months. My friends wanted some pics taken for their wedding, I was happy to oblige. There were all the standard pictures that are taken at weddings, though these are my personal favorites.
There were two other photographers so I didn’t have the pressure of getting all the needed shots, I could play around and have some fun. It gave me an opportunity to test out the re-released T-Max P3200, plus play around with a new point-and-shoot, one of the Olympus Stylus Epic line. I can’t complain about the camera (at least not too much), because it cost me $3 at the local Goodwill (the battery cost four times that), but I will anyway.
The Olympus Stylus Epic Zoom 80 has all the failings of its ilk: autofocus that can sometimes be inaccurate, a pretty salient and distinctive lens flare (or that might be a plus depending on one’s mentality), a flash that must be turned off every time one opens the camera, plus automation in film winding and shutter release that might make one lose a critical shot. But if you know anything about these cameras you already know all the downsides. For the price I paid I’d say the camera was worth it. It’s small enough that I can carry it in a pocket or around my neck everywhere I go, and for that purpose it does what it needs to. For off-the-cuff shots during a wedding it was a good compliment to an all-manual camera; the zoom lens–though slow–came in handy too.
As for T-Max P3200, the jury is still out for me, but this is only my first roll of the stuff and I’ll admit that I did the film no favors by shooting it in the Colorado sun. I mostly wanted to look at the grain structure and can see that it will not handle high-contrast scenes as well as Tri-X, but then it’s designed for low-light shooting. I actually pulled the two shots that show the film to its best advantage, and I don’t think they stand out too much from the Tri-X I also shot. I fully intend to use this film for shooting inside where it’s dark, so until that I have nothing to say about the film yet.