DIG’s last party

I have something really special in my group of college friends from Ohio State (excuse me, THE Ohio State University).  A few years back we started getting together on a semi-annual basis and it’s like we’ve never been separated, even though a lot of us live outside Ohio now.  Unfortunately this time the gathering came about because one of our number has fallen.  The last time I saw him was nearly a year previous, the last time we got together (I flew in from Colorado) and not long after that he told us all that he was diagnosed with cancer.  All I knew from then were the Facebook updates posted by him or his family.  He leaves behind a son and a wife who is 8 months pregnant.

It wasn’t the best occasion ever, but it was good to hang out with old friends, some of whom I hadn’t seen in a decade.  For this trip all I took was a roll of Tri-X loaded in the Olympus Trip 35.  I didn’t even worry about the x-ray machine, I figured that I’d test out the assumption that the film would survive just 2 airplane trips, and it seems to be alright.  I haven’t looked too hard at the negatives yet, but for my purposes it came out alright (except that with my scanner in storage I couldn’t really work with them as much as I’d have liked).  Though my focusing could have been better, the Trip 35 performed well inside and out (and fit in my suit jacket pocket), especially shooting the astoundingly versatile Tri-X.

It’s been hard finding a time that works for all of us, but I think that after this we’ll all make time, because the future is promised to no man, and each get-together could be someone’s last.
2016, Cincinnati, OH (Pt.II)
2016, Cincinnati, OH (Pt.I)
2014, Lake Cumberland, KY

RIP Dave DiSilvestro, 1984-2017.

P30alpha has (finally) arrived!

If you’ll forgive the phone pic, just wanted to post this ASAP.  I don’t know how many people that are still waiting for their film will read this, but Ferrania does follow through on their promises.  Here is the proof that you will get your film…eventually.

Now, I have no idea how far back in the queue I was: I was a Kickstarter backer so I think I’m at least before everyone that cold-ordered.  Still, I didn’t get my order in until at least a good 10 hours after the shop officially came online (some days you gotta hate work).

But there it is!  Now I have to find time to shoot it…

On the festival circuit: Colorado Short Circuit

April 22, 2017.  After Wales, Overwhelming Majority got one more chance to screen in the Springs, at a brand new iteration of the Indie Spirit Film Festival.  Colorado Short Circuit showcases the work of Colorado filmmakers working in short films.  I think for this version most of the featured films were made by people living on the front range, primarily Denver and Colorado Springs.

As always, a great time was had, and I certainly knew lots of people already.  As a bonus, I shot a few rolls of super 8 for my experimental/avant-garde cinema class.  I will be finalizing that project sometime in the Fall and then it’s back to submitting to festivals.

Why I love Fuji slide film

I might shoot a whole lot of Double-X and Tri-X, but when it comes to color, Fuji still has my heart.  If you need a reason to shoot a roll of slide film, look below.  I mean, what’s not to love?

The price, I suppose, so I usually save this film for special occasions.  And it’s the processing costs that really can drain one’s bank account fast, around $20 for developing and scanning (plus $10-15 for the roll of film itself).  Yikes.  But then I look at a slide on a light table or scanned, and all misgivings go by the wayside:

I don’t shoot a whole lot of slide film, but that’s changing the more I get good results.  While I will shoot Ektachrome when it returns (and with Ferrania not too far away either), Fuji is still my first love for color film.  As I look through these pictures, I notice that a lot of them have very striking shades of blue, a favorite color of mine.  To be honest, Velvia 50 and I didn’t get on very well, but then I’ve only shot one roll and I probably need a bit more practice with it.

The modern slide films are remarkable.  Compared to Velvia 50, which is a bit of an older emulsion from the early-’90s, the more modern Provia 100F and Velvia 100 are pretty remarkable in their latitude, being able to survive one stop of over- or underexposure with only slightly noticeable differences in color.  Color, in fact, that is supposed to have an archival life of 300 years.  Color negative film doesn’t come anywhere close.

It’s a bit sad the direction that Fujifilm as a company has gone, and I don’t doubt that at some point in the next decade we will be holding the last-ever Fuji slide film.  I’ve been on the fence about whether or not to continue supporting their business when they have obviously abandoned film photographers.  Perhaps it would be better to not get attached to anything Fuji makes, because I know that whatever it is, its days are numbered.  But then I look back to the point when I knew Plus-X was discontinued, and only bought one roll to shoot, or when I passed up the opportunity to buy a few rolls of Provia 400X, or Superia 400 in 120 size.  Or the fact that I never got a chance to shoot Kodachrome (or Ektachrome, Astia, Sensia, Fortia, or Velvia 100F); I regret those things.  And so, like marrying a person with a terminal condition, all I can do is enjoy the time that is left, knowing that at some point all good things must come to an end.

Home movies

Home Movie Day, October 2016 at the Southern Colorado Film Festival.  I saw Kodachrome projected for the first time and have to say that I was totally blown away with the colors.  The more I see the more I understand how big a hole it left, which the new Ektachrome will probably not be able to fill.

Filmmaker Eric Stewart was our projectionist and film enthusiast extraordinaire.  I also included a picture of some of his optical film printers that he’s working on restoring in his garage.

What is Kodak ColorPlus 200?

I found this at one of the stores in the Springs a few months back, and originally thought it might be something new, but it seems it’s something mainly for the overseas market.  I have no idea why the cartridge says Kodacolor and the box says ColorPlus.  I think Kodacolor was something that was sold back in the ’90s, had no idea it had come back.  Or has it?

 

As an all-around consumer film it does alright, especially with the blues.  It doesn’t seem to pull detail out of the shadows as well as some of the others, and I really hope this isn’t being brought in as a substitute for Gold 200, because I think Gold beats this by a significant margin.  Like with Gold 200, I shot it at ASA100.

Now the bad stuff: the first few shots were of wind generators in Eastern Colorado.  I don’t know what was up with the film, but there was some strange mottling that’s most apparent during those frames, plus reduced contrast, almost looks like it’s expired.  I suppose it has its uses as an effect, but I would have expected better from Kodak.

Unfortunately it wasn’t just that roll either.  I took my second roll to Durango with me and had the same problem with that one.

I spent $8.00 a roll on this.  Never again.

Penarth Pier

I stayed in the little town of Penarth (just a short train ride south of Cardiff) for a few days before flying out, and it’s a lovely town.

Evidently this is one of the last Victorian piers left in existence.  I believe it’s been recently renovated/restored but there’s some stink about the mishandling of the money they had, but thankfully I was just able to enjoy myself while I was there.  It doesn’t look like it from the pictures, but the place was crowded.