The Lady and the Phantom is a short film made by the University of Colorado at Colorado Springs Communications dept and scored by my friend and classmate, composer Joshua Aldrich. A live orchestra was contracted to perform the music, and I am told that this is the first full-scale scoring session of its kind in the Colorado Springs area, which is pretty damn cool if you ask me and I’m proud to have been a part of it. All the players are local musicians and some are current UCCS students. The orchestra was conducted by UCCS Prof. Sean Hennessy in a room that I’ve had several classes in myself over the last few semesters.
As a fan of film music it was pretty awesome to be able to take pictures in the room while the orchestra was being recorded, and I definitely had the Scoring Sessions site in the back of my head when I was taking pictures. It’s different from shooting a rock concert, as I can’t just take pictures whenever the hell I feel like: I was very conscious to make noise only when they were rehearsing a cue or other times when not actually recording, though I did get a few shots in right before they started the count.
If the exposure on these seems to vary wildly from one image to the other, it’s because my camera screwed up big-time, and it’s a miracle any of these images turned out at all. I’d never used the ESII inside before, now I know not to do it again, there must be something seriously wrong with the meter. I’m preparing to send the ESII to this guy because I’ve read lots of good reviews of his work and his prices seem to be pretty reasonable.
Though not strictly necessary with the light I had, I pushed these rolls of Tri-X 2 stops which allowed me to comfortably use my 135mm lens somewhere around f/4-5.6 and my other lenses at f/8 or so. I experimented with a stand development this time, using D-76 1:1 for 13.5 minutes. I don’t know if that hurt me or preserved what shadow detail was left, but it sure didn’t minimize the grain like I’d read, though I suppose getting correct exposures would help!
The F335 has really made this process speedy for me. The recording session was 9AM-12, I had the film processed, dried, and in my bag by 2:00, and once I got back up the pass, I had everything scanned into my computer by 4:00. If the exposures weren’t off so much I could have had them posted that day on Facebook, but as it was I wanted to get the most I possibly could out of improperly exposed negatives, which meant using Photoshop back down at school the next day. Still, all in all, it took just a day to get everything corrected as much as possible and posted online, when before the Pakon it would have taken a week or more.
edit: To come full circle, I’ll plug the soundtrack as well.