P30alpha has (finally) arrived!

If you’ll forgive the phone pic, just wanted to post this ASAP.  I don’t know how many people that are still waiting for their film will read this, but Ferrania does follow through on their promises.  Here is the proof that you will get your film…eventually.

Now, I have no idea how far back in the queue I was: I was a Kickstarter backer so I think I’m at least before everyone that cold-ordered.  Still, I didn’t get my order in until at least a good 10 hours after the shop officially came online (some days you gotta hate work).

But there it is!  Now I have to find time to shoot it…

Why I love Fuji slide film

I might shoot a whole lot of Double-X and Tri-X, but when it comes to color, Fuji still has my heart.  If you need a reason to shoot a roll of slide film, look below.  I mean, what’s not to love?

The price, I suppose, so I usually save this film for special occasions.  And it’s the processing costs that really can drain one’s bank account fast, around $20 for developing and scanning (plus $10-15 for the roll of film itself).  Yikes.  But then I look at a slide on a light table or scanned, and all misgivings go by the wayside:

I don’t shoot a whole lot of slide film, but that’s changing the more I get good results.  While I will shoot Ektachrome when it returns (and with Ferrania not too far away either), Fuji is still my first love for color film.  As I look through these pictures, I notice that a lot of them have very striking shades of blue, a favorite color of mine.  To be honest, Velvia 50 and I didn’t get on very well, but then I’ve only shot one roll and I probably need a bit more practice with it.

The modern slide films are remarkable.  Compared to Velvia 50, which is a bit of an older emulsion from the early-’90s, the more modern Provia 100F and Velvia 100 are pretty remarkable in their latitude, being able to survive one stop of over- or underexposure with only slightly noticeable differences in color.  Color, in fact, that is supposed to have an archival life of 300 years.  Color negative film doesn’t come anywhere close.

It’s a bit sad the direction that Fujifilm as a company has gone, and I don’t doubt that at some point in the next decade we will be holding the last-ever Fuji slide film.  I’ve been on the fence about whether or not to continue supporting their business when they have obviously abandoned film photographers.  Perhaps it would be better to not get attached to anything Fuji makes, because I know that whatever it is, its days are numbered.  But then I look back to the point when I knew Plus-X was discontinued, and only bought one roll to shoot, or when I passed up the opportunity to buy a few rolls of Provia 400X, or Superia 400 in 120 size.  Or the fact that I never got a chance to shoot Kodachrome (or Ektachrome, Astia, Sensia, Fortia, or Velvia 100F); I regret those things.  And so, like marrying a person with a terminal condition, all I can do is enjoy the time that is left, knowing that at some point all good things must come to an end.

Penarth Pier

I stayed in the little town of Penarth (just a short train ride south of Cardiff) for a few days before flying out, and it’s a lovely town.

Evidently this is one of the last Victorian piers left in existence.  I believe it’s been recently renovated/restored but there’s some stink about the mishandling of the money they had, but thankfully I was just able to enjoy myself while I was there.  It doesn’t look like it from the pictures, but the place was crowded.

Trip 35 and color slides

Some of these go back to last fall, when I thought I’d try doing the tourist thing in my own town, but really just by snapping pics when I was supposed to be giving the tour.

I used an expired roll of AGFAPhoto Precisa CT 100 (aka Fuji Provia 100F) giving the Trip 35 the ultimate exposure test and I’m quite pleased that the selenium-powered autoexposure works perfectly fine, even after a period of 40-50 years.  I’m now starting to see that the Trip 35’s lens isn’t the most contrasty ever, especially when the sun sneaks behind the clouds, so I’m happy that I’ll be able to shoot slide film in here.

Armed with that knowledge I took the Trip 35 to Wales with me to shoot a few rolls of Velvia 100 and am very happy with the results (I’ve been posting them for the last few weeks).  The more I use this camera the more I love it.  At $8.00 from a thrift store it was a real bargain too, and one that I’m happy I sprung for.  Perhaps I shouldn’t have been so surprised that it did so well with slide film since that’s what people were shooting back when the camera was being made, but it’s nice to know that after such a period of time it still has what it takes.

Cemetery (repurposed)

Rock Chapel, Blackwood.  A converted church that is now a private residence as well as a B&B, the husband and wife team who own it are big supporters of the Wales International Documentary Festival.  The chapel was my base of operations, and the graveyard outside provided much photographic inspiration over the two days of the festival.

As the chapel itself has been renovated and repurposed, so too has the cemetery outside.  I’d make a joke about the neighbors being quiet, but actually they weren’t, especially at feeding time in the morning.  I never knew sheep could be so excited over breakfast, but what they lack in facial expressions they make up for in the height that they can jump.  I thought for sure I had more pictures with the sheep in the graveyard, so maybe they’re there and I’m not looking hard enough…maybe they’re lying in wait, ready to pounce…

Love those trains II: Durango-Silverton

I was able to take a train ride while attending the Durango Independent Film Festival in the beginning of March.  Being winter, the line was only open for the bottom half, so it made a nice morning trip and something to do before attending my first screening at the festival.

While the scenery was nice, I was of course more interested in the steam locomotive itself.

On the festival circuit: Greetings from Durango

March 1-5, the Durango Independent Film Festival.

It seems that each festival I go to is a better experience than the last, but I don’t know that Durango can be topped.  They treated the filmmakers so nicely there, and it being 6 hours away from me, I decided to stay for the entire thing, which was definitely worth it.  I stayed in the General Palmer Hotel (living in Colorado Springs for so long, I could stay nowhere else) which looked largely untouched by time.  There were lots of activities I to do around town (like a trip on the Durango-Silverton Narrow Gauge Railroad), plus a special filmmakers only-lounge in the basement of the local Irish pub…assuming you didn’t watch films, and I did try to catch as many programs as I could.  The best part though, was that the entire festival took place in the space of two blocks in downtown Durango, making everything nice and easy to get to.  I forged some great relationships with people and will definitely be going back in the future.